When you drop your guard in films, the acting process compensates. You get lazy and you start acting.
BEN KINGSLEYThe hierarchy of class in London was rigid. It was like a religion. It still is to a certain extent.
More Ben Kingsley Quotes
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We are adjusters. We empathize, we change rhythm and above all we listen to our fellow actors-if they’re good actors.
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I honestly have no strategy whatsoever. I’m waiting for that script to pop through the letterbox and completely surprise me.
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You cannot learn a lesson of profound forgiveness unless you understand what it is to be wounded and forgive that which has wounded you.
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In cinema, the leading player is the director.
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If your best friend has stolen your girlfriend, it does become life and death.
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I never read anything in print about me. It started with not reading reviews and with the greatest respect to my publicist here, I never read interviews. I was there when I gave them. I never read reviews. I was there when I did the jobs – so I’m totally immune. I live in a bubble.
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I think the cinema you like has more to do with silence, and the theater you like has more to do with language.
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If it’s a really well written villain, he probably has more layers than the archetypal good person. So that would be very attractive to an actor. No one chooses to be a villain; it’s usually a reaction to something else.
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I don’t want to be like the actor who rehearses everything in the bathroom, then comes to the set and carries on completely uninterrupted while the other actors tiptoe away.
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I just loved playing a man who was unafraid of making an idiot of himself in the process of falling in love. I found that admirable.
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Sometimes it’s right to do the wrong things and right now is one of those times.
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My line-learning is very special. I like to learn the dialogue of the whole film before I arrive.
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I try and reduce myself to an almost blank slate and hope to God that I am creative.
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You need particular note or rhythm in the symphony to be that minor key, or that sharp key or major chord. In musical terms, I try to hit the right note. But not alter the score of the music, just emphasize the note correctly.
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If the director wishes to print it, then you have a series of choices, maybe millions of choices within that minute-and-a-half, or 80 seconds, or 2 minutes or however long or short the take is, you have all those choices committed to celluloid. I find that absolutely thrilling.
BEN KINGSLEY