I have a rather naive approach, I think, to my job.
BEN KINGSLEYI didn’t go to drama school because, from the first refusal I then, as I said, a couple of weeks later, was offered a professional job, where I am immensely grateful to the journey.
More Ben Kingsley Quotes
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There have not been any troughs as regards my work. There’s never been a trough of my assurance.
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All the great writers root their characters in true human behaviour.
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If I were to play somebody who ran a fish and chip shop, I would not work in a fish and chip shop for three months. Staring at chips is not going to help me in my performance.
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I hope I’m able to achieve more on camera through stillness, through focus, through being quite careful to do less on every take, rather than more. So I’m reducing, rather than adding. Which hopefully is a good exercise. That’s what I’d like to do.
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Family is family over the internet, over Skype, over the telephone. Love is love. You don’t have to actually go through some ritual to prove that you love somebody.
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But filming is good for you, because the crew isn’t allowed to laugh. You can’t get addicted to getting the laugh.
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If you are a libertine, if you’re not given to long-term faithful relationships, you tend to project your behavior onto everyone else. It’s like the person who knows they’re not trustworthy; they tend to mistrust everyone else.
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I think the cinema you like has more to do with silence, and the theater you like has more to do with language.
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I’m so dependent on reacting to the other actors on the set, and to the director. I’m very responsive. I react. And I treasure the energy that reaction gives.
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Sometimes it’s right to do the wrong things and right now is one of those times.
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Fifteen years before I became a screen actor, I was in the theatre. A lot of my work was comedy, which I loved doing. It’s harder.
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My line-learning is very special. I like to learn the dialogue of the whole film before I arrive.
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I think that various styles and methods and approaches are an invention of people who don’t understand the process of acting and who try very hard to label things.
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I don’t want to be like the actor who rehearses everything in the bathroom, then comes to the set and carries on completely uninterrupted while the other actors tiptoe away.
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In order to inhabit a villain, you mustn’t care what the audience think of you. That’s not why you are there. You mustn’t care for a second whether the audience likes you or dislikes you. Your villain has to be way beyond that.
BEN KINGSLEY