I don’t want to be overdramatic about it, but I’m starting to see a lot of my bad habits get the best of me.
BEN GIBBARDAs a songwriter, I’m not necessarily writing about myself or my life.
More Ben Gibbard Quotes
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There’s a cinematic quality that happens in my mind when I hear something that really lands. An album is just a journal of a life moving through time.
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I want so badly to believe that there is truth, that love is real. And I want life in every word to the extent that it’s absurd.
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Because of my age and what I do for a living and the amount of time that I’ve spent away from my family and loved ones.
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We had friends who had a hit single on the radio and sold 500,000 records, and then they couldn’t get arrested a year later.
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If there is one thing I think I have accomplished, it’s that I always thought of myself as a very literal songwriter, and as I look at some of those older records.
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There are the people that are like, “I want it to sound like the last one.” You can’t please everybody all the time, but I think for the most part we tend to maintain a healthy level of self-reference to kind of make sure we continue to push things forward.
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I feel that we are currently living in a world that is similar to late ’50s, early ’60s kind of world.
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I don’t hear it now the way I did when I was 20. I think it is undeniable that the songs have become more instantaneously descriptive and literal.
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I don’t think I was doing anything poorly at that time, but I can certainly see how my writing has changed.
BEN GIBBARD -
I was literally just going and applying for jobs, and I couldn’t get a job, and I was getting more and more broke, and you find yourself groveling for jobs you don’t even want.
BEN GIBBARD -
I’m not like a 90-mph fastball kind of guy, but I can hit 70 on radar gun.
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Everybody has a language or code that they use with their wife or their girlfriend or boyfriend or what have you. It’s a language aside from the language they have with strangers.
BEN GIBBARD -
Anything was better than going to work. All those early tours before we made any money were more like vacations. I don’t think it was until 2001 that we pulled our heads out of the sand and were like, “What are we doing?”
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We would scoff at the idea of a nice studio. “Why would you want to go to a nice studio? Oh wow, they have really expensive gear. Ooh, that’s really fancy. Well we’ve got an eight-track. We’ve got it going on here.”
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You remember that stuff and laugh about it now. You don’t feel it the way you did back then when you were so scared and nervous and tired and hungry.
BEN GIBBARD







