“I don’t want to be overdramatic about it, but I’m starting to see a lot of my bad habits get the best of me.”

I’m starting to relate more to the late-period Kerouac stuff in the way that I once related to the fun and excitement of the early material. There’s a darkness inside of me that I’m only now starting to come to grips with and accept. And it’s starting to scare me.

I kind of dropped a lot of bad habits about three years ago and became kind of accidentally straight-edge. I don’t have Xs on my hands, but I guess if I wanted to go back to calling myself straight-edge, I could.

There were a lot of fences and walls existing in my life, literally and figuratively, and that was really not indicative of the kind of person that I’d always been. So, when I moved back to Seattle, the first thing I said was, “I will never live in fear again.”

I’d like the songs to be more storytelling, but also have the turns of phrase within them that would hopefully distance my writing from the pack.

We wanted to be like R.E.M., but the reality is that 15 years after R.E.M. was putting out those records, the playing field had changed drastically as well.

We would scoff at the idea of a nice studio. “Why would you want to go to a nice studio? Oh wow, they have really expensive gear. Ooh, that’s really fancy. Well we’ve got an eight-track. We’ve got it going on here.”

As a songwriter, I’m not necessarily writing about myself or my life.

Our band is very polarizing. There are people who absolutely can’t stand us, and people who absolutely can’t live without us. I’d rather spark those kind of polar-opposite feelings than have people be indifferent.

Hall & Oates is one of the few musical groups as satisfying now as it was back then. There’s something incredibly musically satisfying about their songs. Nothing has diminished my love for them.

I like writing on piano and a computer, and a lot of ‘Plans’ came out of samples and vocal lines.

The songwriting of Hall & Oates is deceptively complex. There are a number of key changes that pass you by as you’re listening to the song because they’re so seamless and clever.

To set the record straight for the God knows millionth time, we certainly didnt sign to Atlantic just for the money.

I have always been very open and earnest about some things in my life, some things that are not directly in my life, but they’re twirling around me at the time.

There were two recording studios in Bellingham. One was really expensive, a “nice studio.” We were at the point where we were young and irreverent.

As you go through your life, you make friendships, you break friendships, you have relationships. Music is the one thing I’ve always been able to rely on.

A lot of the material is about the inevitable disappointment people feel as they move through life, and things don’t feel the way they expect. No experience will ever match up to the idealized version in your mind.

The older kids decided to pick me on me starting when I was about 6 and it didn’t take me long to take a stand for myself.

From an evolutionary standpoint you can’t just wipe everything out and start over, and I don’t think you can do it in the school system either.

In the countryside, litter doesn’t have a friend. It doesn’t have anybody who’s saying, ‘Wait a minute, this is really starting to get out of control.’

There are four pillars to happiness, which is the ultimate goal in life-to be happy. Health is first, family is second, home is third. That safe place where you can go to and regroup, be in a safe place by yourself start over.

She must start out believing in things not of this world. Then when the world becomes too ugly for living in, the child can reach back and live in her imagination.

The starting line of the New York Marathon is kind of like a giant time bomb behind you about to go off. It is the most spectacular start in sport.

Starting a company is a cause, not a job. Once it becomes a job, that’s when you lose

Just build things and find out if they work.