We always idealize the past because we don’t feel the painful stuff the way we used to.
BEN GIBBARDWe never sit down before we start making a record and talk about this new sonic palette that we are going to try to explore. We always let the record kind of reveal itself to us over time.
More Ben Gibbard Quotes
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There were a lot of fences and walls existing in my life, literally and figuratively, and that was really not indicative of the kind of person that I’d always been. So, when I moved back to Seattle, the first thing I said was, “I will never live in fear again.”
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I feel like on those older records there are a lot of attempts at clever turns of phrase.
BEN GIBBARD -
I’m starting to relate more to the late-period Kerouac stuff in the way that I once related to the fun and excitement of the early material. There’s a darkness inside of me that I’m only now starting to come to grips with and accept. And it’s starting to scare me.
BEN GIBBARD -
We had cut ourselves free from the security of day-job life. The goals became primarily financial, at least for a while. That was the roughest time we had ever had as a band, because that was the first moment we realized that this was for real.
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There were two recording studios in Bellingham. One was really expensive, a “nice studio.” We were at the point where we were young and irreverent.
BEN GIBBARD -
Our band is very polarizing. There are people who absolutely can’t stand us, and people who absolutely can’t live without us. I’d rather spark those kind of polar-opposite feelings than have people be indifferent.
BEN GIBBARD -
When I listen to Airplanes record, it takes me back. I remember a lot of my thought processes when I was 20 or 21, writing those songs and recording that record.
BEN GIBBARD -
I wonder what I was thinking when I was trying to say a particular thing. I hear some of the weird little nuances in the recording; I can hear what the room sounded like. I remember what it smelled like.
BEN GIBBARD -
We wanted to be like R.E.M., but the reality is that 15 years after R.E.M. was putting out those records, the playing field had changed drastically as well.
BEN GIBBARD -
We were playing Chinese restaurants and basements and record stores and houses. We were crashing on floors and it was all new and exciting. It was like a vacation. It didn’t feel like work.
BEN GIBBARD -
I can remember how I sang – a little more nasal-y back then. Listening to those old recordings is like seeing a photograph of yourself from 10 years ago. You’re wearing what you thought looked cool at the time. You had your hair styled the particular way you thought looked cool.
BEN GIBBARD -
Now that we have the resources, we’re like, “Oh wow, a nice studio is pretty nice! They do have nice outboards here. It’s actually a pretty good place.” It’s funny how much changes so quickly.
BEN GIBBARD -
The late ’90s were a really bad time for people trying to be rock stars, you know what I mean? It seemed like everyone was a one-hit wonder on the radio.
BEN GIBBARD -
The songwriting of Hall & Oates is deceptively complex. There are a number of key changes that pass you by as you’re listening to the song because they’re so seamless and clever.
BEN GIBBARD -
Death Cab is a militantly analog band. We’ll continue moving forward with our sound, but there will be no crossover.
BEN GIBBARD