I have always been very open and earnest about some things in my life, some things that are not directly in my life, but they’re twirling around me at the time.
BEN GIBBARDWe were not goofing around anymore. We all threw everything we had into this in a way where we all found ourselves really far from home, and we were stuck with each other.
More Ben Gibbard Quotes
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I’m starting to relate more to the late-period Kerouac stuff in the way that I once related to the fun and excitement of the early material. There’s a darkness inside of me that I’m only now starting to come to grips with and accept. And it’s starting to scare me.
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Our band is very polarizing. There are people who absolutely can’t stand us, and people who absolutely can’t live without us. I’d rather spark those kind of polar-opposite feelings than have people be indifferent.
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You spend hours alone, only with your thoughts, and you torture yourself. It’s a tendency of many writers to temper the self-destructive act of writing with other self-destructive acts. I certainly was one of those people for a long time.
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I want to write songs with complete sentences. I almos have this obsession with short-changing words. I would never be so pretentious to say that my lyrics are poetry. … Poems are poems. Song lyrics are for songs.
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I can remember sitting up in guitarist Chris Walla’s bedroom and for the first time in my life having this realization like, “Maybe I can do this. Maybe I can make music that in some capacity people will enjoy and come see me play.”
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I kind of dropped a lot of bad habits about three years ago and became kind of accidentally straight-edge. I don’t have Xs on my hands, but I guess if I wanted to go back to calling myself straight-edge, I could.
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I’ve always had a soft spot for Phil Collins. He’s a great vocalist.
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I like writing on piano and a computer, and a lot of ‘Plans’ came out of samples and vocal lines.
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We had cut ourselves free from the security of day-job life. The goals became primarily financial, at least for a while. That was the roughest time we had ever had as a band, because that was the first moment we realized that this was for real.
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There were two recording studios in Bellingham. One was really expensive, a “nice studio.” We were at the point where we were young and irreverent.
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And it came to me then that every plan is a tiny prayer to father time.
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There are the people that are like, “I want it to sound like the last one.” You can’t please everybody all the time, but I think for the most part we tend to maintain a healthy level of self-reference to kind of make sure we continue to push things forward.
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The songwriting of Hall & Oates is deceptively complex. There are a number of key changes that pass you by as you’re listening to the song because they’re so seamless and clever.
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Every record we do there are always two camps. There’s the camp that’s like, “I love it. It sounds different than the last one.”
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I want so badly to believe that there is truth, that love is real. And I want life in every word to the extent that it’s absurd.
BEN GIBBARD