I have always been very open and earnest about some things in my life, some things that are not directly in my life, but they’re twirling around me at the time.
BEN GIBBARDI’m not like a 90-mph fastball kind of guy, but I can hit 70 on radar gun.
More Ben Gibbard Quotes
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I don’t think Chris realized he was in a band until 2001. He all of a sudden woke up one day and realized he was in a band. He thought he was just recording my solo project. Three albums later, we’re in Baltimore trying to figure out what to do with ourselves.
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I kind of dropped a lot of bad habits about three years ago and became kind of accidentally straight-edge. I don’t have Xs on my hands, but I guess if I wanted to go back to calling myself straight-edge, I could.
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I wonder what I was thinking when I was trying to say a particular thing. I hear some of the weird little nuances in the recording; I can hear what the room sounded like. I remember what it smelled like.
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You remember that stuff and laugh about it now. You don’t feel it the way you did back then when you were so scared and nervous and tired and hungry.
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There were two recording studios in Bellingham. One was really expensive, a “nice studio.” We were at the point where we were young and irreverent.
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Liking interesting things doesn’t make you interesting.
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Between every record, we all split off in our own world and we all end up listening to usually pretty different music on our own. We come together not really knowing what the other people having been really listening to and what’s been influencing them.
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I can remember how I sang – a little more nasal-y back then. Listening to those old recordings is like seeing a photograph of yourself from 10 years ago. You’re wearing what you thought looked cool at the time. You had your hair styled the particular way you thought looked cool.
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I don’t spend my time perusing message boards to find out what people think about me or if people think my songs are good or if people love that lyric or this or that. I just want to be happy with it myself – and if other people like it, that’s great.
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The songwriting of Hall & Oates is deceptively complex. There are a number of key changes that pass you by as you’re listening to the song because they’re so seamless and clever.
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More times than not, it’s a failed endeavor. You will fail more times than you succeed. But I think you need those failed endeavors.
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I’m not like a 90-mph fastball kind of guy, but I can hit 70 on radar gun.
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I’m starting to relate more to the late-period Kerouac stuff in the way that I once related to the fun and excitement of the early material. There’s a darkness inside of me that I’m only now starting to come to grips with and accept. And it’s starting to scare me.
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I like writing on piano and a computer, and a lot of ‘Plans’ came out of samples and vocal lines.
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At this point in my life, I find myself obsessed with alternate paths I could’ve taken. I don’t think about this with a sense of regret, but with a sense of wonder.
BEN GIBBARD