Rock and roll is – and should be – a kid’s place.
BEN FOLDSIt’s a tough thing to know that when you’re making your album, you’re going to end up collaborating with, say, Wal-Mart, on your artwork. That just sucks. And the pressure behind getting the numbers real fast is, to me, dizzying.
More Ben Folds Quotes
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In many ways, I’ve chosen to be plain, almost too plain, too self-effacing. Like, if I record a vocal and I don’t like the way it sounds, I would have them turn it up and take the reverb off it to make it as plain as possible.
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If I’m in a relationship and my girlfriend is sleeping with other people, I don’t need to know who it is; I just want to know how she feels about it.
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Everything I write is personal, really. Even when I’m sarcastic, it’s quite personal. And on this record, from the production to the singing to the performances, I got it really honest.
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You can’t really control how people hear stuff. It’s hard to remember that. I have to let go of it.
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I don’t leave my neighborhood. I don’t go anywhere. There are four blocks I live in and there are two coffee shops, one at each end of the block… so I don’t do much driving…
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I’m not really a strange person or anything, so if there’s music I like, usually there’s other people who like it too.
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It’s like being in the position of – in half of the industry’s mind, you’re kind of a cult-following, independent rocker. And on the other hand, you’re a sellout. But neither one of them are right.
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The piano is just a different animal. It’s expensive, it’s big, it’s heavy, and it doesn’t fit in the mix easily.
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Why would I want to sound like Joni Mitchell? I’ve got Joni Mitchell records, and they’re great, and I couldn’t possibly be that good.
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Being capable of anything is a bullshit concept, unless it means you also admit that you’re capable of cheating, lying and killing.
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It’s a tough thing to know that when you’re making your album, you’re going to end up collaborating with, say, Wal-Mart, on your artwork. That just sucks. And the pressure behind getting the numbers real fast is, to me, dizzying.
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The press is like any business. Its a group of really intelligent individuals that ends up being one slathering, one-eyed, drooling monster.
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People aren’t going to sit there very often, not your average public, and your average music-business monster is not going to take the time to notice the overtones and the undertones inside the flavor. They’d rather just have the martini.
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I do think that when you make repeated mistakes, it’s usually because you’re just not coming to grips with something.
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Everyone grew up with a piano in their living room, so rocking out on the piano was accessible – it wasn’t an upper-class thing. Now pianos have become very much a piece of furniture.
BEN FOLDS