A lot of 18-year-olds are like old men. They think they’ve seen everything.
BEN FOLDSEverybody knows it hurts to grow up…and we’re still fighting it.
More Ben Folds Quotes
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I want people to listen to my lyrics and be okay with themselves. The people who have it the roughest are homosexuals who come out of the closet.
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Im really good at writing almost hits.
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If I’m in a relationship and my girlfriend is sleeping with other people, I don’t need to know who it is; I just want to know how she feels about it.
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What stupid f – king idiot gets married a second time if the first time didn’t work out?
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The press is like any business. Its a group of really intelligent individuals that ends up being one slathering, one-eyed, drooling monster.
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I’ve gotten to the point where I realize that I need to tell my truth in music and not walk around blabbing my mind.
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I don’t leave my neighborhood. I don’t go anywhere. There are four blocks I live in and there are two coffee shops, one at each end of the block… so I don’t do much driving…
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I always feel very lucky that I am forced to make records at certain times. If I was forced to make 2 records a year, I would write twice as many songs. I can’t make myself finish something unless I am forced
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The nature of honesty is that if someone has information or knows something about you that you don’t want heard, then they have power over you.
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I’m older than I was, and I’m still washed-up, and I haven’t changed my music one iota. It’s just much easier to do this when people are being nice to you.
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And all I really want to say is you’re the reason I want to stay.
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I’m definitely an anomaly, but I’m making things. They’re selling, say, martinis, and I’m kind of making vintage Riesling.
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Being capable of anything is a bullshit concept, unless it means you also admit that you’re capable of cheating, lying and killing.
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Even though I live in America more, I feel like when I go to Adelaide, that’s when I get to go home.
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People learn at the rate they are going to learn.
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The way I see it, there’s only one melody for any song.
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Off the coast and I’m headed nowhere
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My job is to be some sort of music/lyric psychic, to figure out that that’s the right song to not fight the lyric.
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I love you more than I have ever found a way to say to you.
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Notes don’t make music until you learn to insert silence between them.
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Everybody knows it hurts to grow up…and we’re still fighting it.
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I do think that when you make repeated mistakes, it’s usually because you’re just not coming to grips with something.
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It’s like being in the position of – in half of the industry’s mind, you’re kind of a cult-following, independent rocker. And on the other hand, you’re a sellout. But neither one of them are right.
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You never know when you put out an album that’s unique whether it’ll get beat up for it or not.
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I think a lot of good directors listen to music while they’re working. The songs just don’t become a part of the film. They’re replaced.
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It’s a tough thing to know that when you’re making your album, you’re going to end up collaborating with, say, Wal-Mart, on your artwork. That just sucks. And the pressure behind getting the numbers real fast is, to me, dizzying.
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