“It’s very much to do with how I’m feeling … I love to be experimental and use eclectic mismatched things and put them together to see what third entity is created!”

I wrote about Freud and the process of sublimation, which is when you learn to stop breast-feeding, or stop going to the toilet whenever you want to. It’s about learning to repress a desire for instant gratification.

I guess it’s subverting our expectations in terms of how we’ve come to expect women to present themselves when they’re being naked. Also the woman’s and the man’s role is subverted in that image. You’d expect the man to be carrying the woman.

I’m not really frightened by experimenting – that’s the main thing. I really like mixing very old beautiful pieces that are from thrift shops or that have some historical value with quite new futuristic things.

I did gardening and cooking and drawing and reading to try take the pressure off the music – just being eclectic and putting the fun back in and bringing more innocence in again is really important.

I’ve hidden behind my hair more than clothes. Sometimes having long hair with a fringe is very useful when you don’t want to look at people. I used to have very short hair, but long hair is my thing – a black nocturnal shield.

I think the best cure is to stop doing the thing that you think you should be doing and go and have a bit of fun in another medium, maybe other crazy things.

I like to get dark sometimes and then come back out into the light.

I think what I wanted to do was meet someone who knew more than me about songwriting structure and progressions and middle eights and things that more traditional writers write and I don’t usually employ.

Dad was an amazing storyteller and illustrator, which he did in his spare time – very inspiring and dramatic.

I’d love to win a Grammy! Not ambitious or anything. And just having a really lovely bunch of kids and a happy family life, would be good for me.

They say for every high high there must be a low low low low low

And in a repressed society, artists fulfil a sense of harking back to instant gratification, or immediate expression, by doing things that function on the edge of society, or outside of what is conventionally accepted.

I always think that the exceptional people are those who remain outsiders but still communicate on a grand scale. I think I want everyone to feel more free, and so I feel really claustrophobic on behalf of lots of people.

I find it really interesting that people are shocked by the raw, natural representation of a woman and a man’s body.

We are bits of energy floating about in various guises, and when we die we rejoin the big cosmic soup of the universe.

Music’s free and music’s for everyone to enjoy and express and interpret. It transcends countries and times and decades.

It belongs to the very substance of nonviolence never to destroy or damage another person’s feeling of self worth, even an opponent’s. We all need, constantly, an advance of trust and affirmation.

What a wonderful thing is to be able to contribute to the restoration of someone’s health. It’s not only a feeling that I’m worth something, but that I have something to contribute.

Welcome, wild harbinger of spring! To this small nook of earth; Feeling and fancy fondly cling.

The companies that I really admire the most are the ones that have a deep visceral understanding of why people use their service, and they figure out ways of making money that are completely consistent with how people are feeling and what they are doing at the time.

I’m going to leave y’all with one thought. I’m a big believer in fate. I have a good feeling about this.

We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.

If you just concentrate on what you’re doing and allow yourself to actually enjoy and let your feelings come out, whatever the tempos, whatever the rhythms, whatever the songs, 9 out of 10 times it will work.

I cannot choose to ignore this feeling, of life slowly bleeding out of me. I cannot ignore the fact that life only makes sense to me when I see a smile, or feel another hand in mine.