“I’ve hidden behind my hair more than clothes. Sometimes having long hair with a fringe is very useful when you don’t want to look at people. I used to have very short hair, but long hair is my thing – a black nocturnal shield.”

I wrote about Freud and the process of sublimation, which is when you learn to stop breast-feeding, or stop going to the toilet whenever you want to. It’s about learning to repress a desire for instant gratification.

I guess it’s subverting our expectations in terms of how we’ve come to expect women to present themselves when they’re being naked. Also the woman’s and the man’s role is subverted in that image. You’d expect the man to be carrying the woman.

I’m not really frightened by experimenting – that’s the main thing. I really like mixing very old beautiful pieces that are from thrift shops or that have some historical value with quite new futuristic things.

It’s very much to do with how I’m feeling … I love to be experimental and use eclectic mismatched things and put them together to see what third entity is created!

I did gardening and cooking and drawing and reading to try take the pressure off the music – just being eclectic and putting the fun back in and bringing more innocence in again is really important.

I think the best cure is to stop doing the thing that you think you should be doing and go and have a bit of fun in another medium, maybe other crazy things.

I like to get dark sometimes and then come back out into the light.

I think what I wanted to do was meet someone who knew more than me about songwriting structure and progressions and middle eights and things that more traditional writers write and I don’t usually employ.

Dad was an amazing storyteller and illustrator, which he did in his spare time – very inspiring and dramatic.

I’d love to win a Grammy! Not ambitious or anything. And just having a really lovely bunch of kids and a happy family life, would be good for me.

They say for every high high there must be a low low low low low

And in a repressed society, artists fulfil a sense of harking back to instant gratification, or immediate expression, by doing things that function on the edge of society, or outside of what is conventionally accepted.

I always think that the exceptional people are those who remain outsiders but still communicate on a grand scale. I think I want everyone to feel more free, and so I feel really claustrophobic on behalf of lots of people.

I find it really interesting that people are shocked by the raw, natural representation of a woman and a man’s body.

We are bits of energy floating about in various guises, and when we die we rejoin the big cosmic soup of the universe.

Music’s free and music’s for everyone to enjoy and express and interpret. It transcends countries and times and decades.

I never wore a single fedora filming L.A. Noire. It took about an hour and a half to do the hair – it was a very precise process.

Nothing is as easy or natural as consumer brands want us to think – no problem is as resolvable. Your hair will fall out, eventually. Yet we do have these brands, and we line our shelves with them. There’s an inherent irony.

The story was a sleeping girl in a narrow bed Dark hair thick and wild and twisted like seaweed across the pillow.

There is snow on my face and wind in my hair and winter has nearly stolen me. But as I remember the words of our song then spring still owns a part of me.

I do not think I reinvent myself. Wearing my hair differently or changing my style of dress is playing dress-up. I don’t take it too seriously.

Even when I get the fried-chicken special of the day, I have to dig into it like it’s filet mignon.

I am the mother of a 6-year-old now, so that’s changed my entire perspective.

Creativity only resonates if you infuse real life into the work.