There was a time when I said, “I’m going to go do a television thing,” after doing all these theatrical films, and heard, “Television? Why are you going to go back to television?” It’s an interesting place.
BARRY LEVINSONEven back in the ’90s, I shot certain things on something that wasn’t digital then, but it was on VHS with a smaller camera and we would up it to film.
More Barry Levinson Quotes
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You do understand that you can’t force the situation, but in terms of how you edit, you can define that to take the audience along, whether it be a storyline or a character moment that we can play out. The more experience you’ve had, the more beneficial it is, period.
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I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.
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Studios just sometimes make decisions on their own that you’re always flabbergasted by. It just happens that way for whatever reason – not even pointing fingers, it just is.
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Even back in the ’90s, I shot certain things on something that wasn’t digital then, but it was on VHS with a smaller camera and we would up it to film.
BARRY LEVINSON -
First of all, just to get Diner made would have been an achievement in that I got a chance to direct.
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The interesting thing about movies, it’s not always – y’know, you have to have structure etc and all those things, but an audience responds, in many ways, we walk away and certain things stay in our heads that are memorable.
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I think when Sarah Palin opened her mouth and started talking, the more she talked, the less appealing she became.
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When I began to think about the head of the family, the storyteller, the rise of television which became the new storyteller, the break-up of the American family as an idea and then Avalon came.
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All I try to do is create an atmosphere that seems comfortable enough, that it removes tension and everyone feels free. If they feel free then behaviour happens, small moments happen and that’s what ultimately works the best for me.
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I think test screening works at its best when the audience knows what it’s getting.
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They’re intimidating the networks and levying these fines, so the networks are not sure of what they can or can’t do.
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You don’t always have to have the ending, but you want to have a satisfactory conclusion.
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I always think that there is the good and the bad of it all.
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A lot of time mistakes are very interesting – you look for the behaviour that’s not the one you expect.
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I’m fascinated by documentaries, to begin with. Because of the nature of television, as opposed to theatrical, documentaries can be in this long form and take you on a journey.
BARRY LEVINSON






