I would give the cameras to the kids in the swimming pools and they would play with them, and then I would collect them and we would upload it. If you’re in the process, you’re there.
BARRY LEVINSONEven back in the ’90s, I shot certain things on something that wasn’t digital then, but it was on VHS with a smaller camera and we would up it to film.
More Barry Levinson Quotes
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I do know when you look at some ballplayer and all of a sudden he is the size of a truck something is wrong.
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It’s always hard to explain why an audience ultimately responds to a movie.
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We’re never going to be the ultimate-insider look. You can do 50 insider looks at this Hollywood business, and the satire didn’t intrigue me. I think others can do that.
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I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.
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You do understand that you can’t force the situation, but in terms of how you edit, you can define that to take the audience along, whether it be a storyline or a character moment that we can play out. The more experience you’ve had, the more beneficial it is, period.
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I think we are seeing a radical shift in the business in general. The studios are making much more of the real big extravaganzas and there are other kinds of films that are coming out. I think you are going to begin to see more diversification that we’ve seen in the past.
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They’re intimidating the networks and levying these fines, so the networks are not sure of what they can or can’t do.
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When I began to think about the head of the family, the storyteller, the rise of television which became the new storyteller, the break-up of the American family as an idea and then Avalon came.
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I never really wanted to be an actor. And that was the beginning of it, I began to write things down and eventually became a writer on a television show.
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Even back in the ’90s, I shot certain things on something that wasn’t digital then, but it was on VHS with a smaller camera and we would up it to film.
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As soon as digital editing came about, I immediately made the switch to digital.
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No one really has the power, and everybody’s trying to get through the day, and everybody’s nervous and desperate.
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First of all, just to get Diner made would have been an achievement in that I got a chance to direct.
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I think test screening works at its best when the audience knows what it’s getting.
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You don’t always have to have the ending, but you want to have a satisfactory conclusion.
BARRY LEVINSON