You do understand that you can’t force the situation, but in terms of how you edit, you can define that to take the audience along, whether it be a storyline or a character moment that we can play out. The more experience you’ve had, the more beneficial it is, period.
BARRY LEVINSONWe’re never going to be the ultimate-insider look. You can do 50 insider looks at this Hollywood business, and the satire didn’t intrigue me. I think others can do that.
More Barry Levinson Quotes
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I think we are seeing a radical shift in the business in general. The studios are making much more of the real big extravaganzas and there are other kinds of films that are coming out. I think you are going to begin to see more diversification that we’ve seen in the past.
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As soon as digital editing came about, I immediately made the switch to digital.
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You don’t always have to have the ending, but you want to have a satisfactory conclusion.
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No one really has the power, and everybody’s trying to get through the day, and everybody’s nervous and desperate.
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Craig Nelson who is an actor and is in a show called Coach in the United States. We began to do some improvisational stuff and we used to get laughs and things.
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Some actors are supposed to be very difficult, but I’ve not found that to be the situation.
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I do know when you look at some ballplayer and all of a sudden he is the size of a truck something is wrong.
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I always think that there is the good and the bad of it all.
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All I try to do is create an atmosphere that seems comfortable enough, that it removes tension and everyone feels free. If they feel free then behaviour happens, small moments happen and that’s what ultimately works the best for me.
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I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.
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There’s no downside to having too much experience.
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When I began to think about the head of the family, the storyteller, the rise of television which became the new storyteller, the break-up of the American family as an idea and then Avalon came.
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I’ve had a lot of movies that didn’t get great numbers on test screening, but a lot of times the film was able to survive, or the studio still stayed and supported it.
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First of all, just to get Diner made would have been an achievement in that I got a chance to direct.
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The interesting thing about movies, it’s not always – y’know, you have to have structure etc and all those things, but an audience responds, in many ways, we walk away and certain things stay in our heads that are memorable.
BARRY LEVINSON