I would give the cameras to the kids in the swimming pools and they would play with them, and then I would collect them and we would upload it. If you’re in the process, you’re there.
BARRY LEVINSONWhen I began to think about the head of the family, the storyteller, the rise of television which became the new storyteller, the break-up of the American family as an idea and then Avalon came.
More Barry Levinson Quotes
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It’s always hard to explain why an audience ultimately responds to a movie.
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You don’t always have to have the ending, but you want to have a satisfactory conclusion.
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I think certain movies work and that is part of the magic of it all. We can’t truly define why something succeeds.
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Craig Nelson who is an actor and is in a show called Coach in the United States. We began to do some improvisational stuff and we used to get laughs and things.
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Even back in the ’90s, I shot certain things on something that wasn’t digital then, but it was on VHS with a smaller camera and we would up it to film.
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There was a time when I said, “I’m going to go do a television thing,” after doing all these theatrical films, and heard, “Television? Why are you going to go back to television?” It’s an interesting place.
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Studios just sometimes make decisions on their own that you’re always flabbergasted by. It just happens that way for whatever reason – not even pointing fingers, it just is.
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I think test screening works at its best when the audience knows what it’s getting.
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Ronald Reagan was this actor who was going to be president, and he was very charming. What he had was, he talked about America in ways that got people all caught up in it. He was creating this America – it could even be the mythical “America” – that we subscribe to.
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I never really wanted to be an actor. And that was the beginning of it, I began to write things down and eventually became a writer on a television show.
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I think it’s a promising time which will show a lot of diversification that we’ve seen in the past.
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They’re intimidating the networks and levying these fines, so the networks are not sure of what they can or can’t do.
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I play around with human things, human relationships and that, and allow that kind of talk to work in that way, on that level.
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There’s no downside to having too much experience.
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Some actors are supposed to be very difficult, but I’ve not found that to be the situation.
BARRY LEVINSON