There was a time when I said, “I’m going to go do a television thing,” after doing all these theatrical films, and heard, “Television? Why are you going to go back to television?” It’s an interesting place.
BARRY LEVINSONI think certain movies work and that is part of the magic of it all. We can’t truly define why something succeeds.
More Barry Levinson Quotes
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You don’t always have to have the ending, but you want to have a satisfactory conclusion.
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A lot of time mistakes are very interesting – you look for the behaviour that’s not the one you expect.
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They’re intimidating the networks and levying these fines, so the networks are not sure of what they can or can’t do.
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As soon as digital editing came about, I immediately made the switch to digital.
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It’s always hard to explain why an audience ultimately responds to a movie.
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All I try to do is create an atmosphere that seems comfortable enough, that it removes tension and everyone feels free. If they feel free then behaviour happens, small moments happen and that’s what ultimately works the best for me.
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I worked at a local television station and I got a chance to direct and do all those things – worked kiddie shows, Ranger House show with the hand puppets and things like that.
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I think it’s a promising time which will show a lot of diversification that we’ve seen in the past.
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I play around with human things, human relationships and that, and allow that kind of talk to work in that way, on that level.
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You do understand that you can’t force the situation, but in terms of how you edit, you can define that to take the audience along, whether it be a storyline or a character moment that we can play out. The more experience you’ve had, the more beneficial it is, period.
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I’m fascinated by documentaries, to begin with. Because of the nature of television, as opposed to theatrical, documentaries can be in this long form and take you on a journey.
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Studios just sometimes make decisions on their own that you’re always flabbergasted by. It just happens that way for whatever reason – not even pointing fingers, it just is.
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I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.
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Even back in the ’90s, I shot certain things on something that wasn’t digital then, but it was on VHS with a smaller camera and we would up it to film.
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We’re never going to be the ultimate-insider look. You can do 50 insider looks at this Hollywood business, and the satire didn’t intrigue me. I think others can do that.
BARRY LEVINSON