I play around with human things, human relationships and that, and allow that kind of talk to work in that way, on that level.
BARRY LEVINSONI think certain movies work and that is part of the magic of it all. We can’t truly define why something succeeds.
More Barry Levinson Quotes
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I got involved with an acting school and studied for a couple years. They used to have improv exercises that you would work on and you would do improvs.
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You have a movie and it proves itself and then certain things happen.
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I’ve had a lot of movies that didn’t get great numbers on test screening, but a lot of times the film was able to survive, or the studio still stayed and supported it.
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No one really has the power, and everybody’s trying to get through the day, and everybody’s nervous and desperate.
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They’re intimidating the networks and levying these fines, so the networks are not sure of what they can or can’t do.
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Studios just sometimes make decisions on their own that you’re always flabbergasted by. It just happens that way for whatever reason – not even pointing fingers, it just is.
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I never really wanted to be an actor. And that was the beginning of it, I began to write things down and eventually became a writer on a television show.
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We’re never going to be the ultimate-insider look. You can do 50 insider looks at this Hollywood business, and the satire didn’t intrigue me. I think others can do that.
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You do understand that you can’t force the situation, but in terms of how you edit, you can define that to take the audience along, whether it be a storyline or a character moment that we can play out. The more experience you’ve had, the more beneficial it is, period.
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A lot of time mistakes are very interesting – you look for the behaviour that’s not the one you expect.
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I think when Sarah Palin opened her mouth and started talking, the more she talked, the less appealing she became.
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I don’t know that you can do an absurdist film and just have everybody embrace it in terms of filling out cards. I just don’t think it happens. So you have to prepare an audience.
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As soon as digital editing came about, I immediately made the switch to digital.
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I worked at a local television station and I got a chance to direct and do all those things – worked kiddie shows, Ranger House show with the hand puppets and things like that.
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Even back in the ’90s, I shot certain things on something that wasn’t digital then, but it was on VHS with a smaller camera and we would up it to film.
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