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You do understand that you can’t force the situation, but in terms of how you edit, you can define that to take the audience along, whether it be a storyline or a character moment that we can play out. The more experience you’ve had, the more beneficial it is, period.

Barry Levinson

I play around with human things, human relationships and that, and allow that kind of talk to work in that way, on that level.
BARRY LEVINSON

Human Human Relationships Kind Relations
It’s always hard to explain why an audience ultimately responds to a movie.
BARRY LEVINSON

Audience Hard Respond Ultimately
I thought a great line in the What Just Happened movie said, “We’re just the mayonnaise.”
BARRY LEVINSON

Happened Line Mayonnaise Movie Thought
I don’t know that you can do it as a satire. I mean, the business is crazy enough as it is. It’s like doing Wag The Dog – we took a thing that was almost completely absurd on one level, and then ultimately those things came about.
BARRY LEVINSON

Crazy Dog Mean
I do know when you look at some ballplayer and all of a sudden he is the size of a truck something is wrong.
BARRY LEVINSON

Looks Size Truck Wrong
I think it’s a promising time which will show a lot of diversification that we’ve seen in the past.
BARRY LEVINSON

Past Shows Thinking
You have a movie and it proves itself and then certain things happen.
BARRY LEVINSON

Certain Happens Proven
Even back in the ’90s, I shot certain things on something that wasn’t digital then, but it was on VHS with a smaller camera and we would up it to film.
BARRY LEVINSON

Camera Digital Film
I always think that there is the good and the bad of it all.
BARRY LEVINSON

All Always Bad Good Thinking
I’ve had a lot of movies that didn’t get great numbers on test screening, but a lot of times the film was able to survive, or the studio still stayed and supported it.
BARRY LEVINSON

Film Movie Number Screening Survive Time
I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.
BARRY LEVINSON

Anxiety Chance Country Film Person Two
The interesting thing about movies, it’s not always – y’know, you have to have structure etc and all those things, but an audience responds, in many ways, we walk away and certain things stay in our heads that are memorable.
BARRY LEVINSON

Interesting Memorable Way
You don’t always have to have the ending, but you want to have a satisfactory conclusion.
BARRY LEVINSON

Conclusion Satisfactory Want
As soon as digital editing came about, I immediately made the switch to digital.
BARRY LEVINSON

Digital Editing Made
I think we are seeing a radical shift in the business in general. The studios are making much more of the real big extravaganzas and there are other kinds of films that are coming out. I think you are going to begin to see more diversification that we’ve seen in the past.
BARRY LEVINSON

Past Real Thinking
We’re never going to be the ultimate-insider look. You can do 50 insider looks at this Hollywood business, and the satire didn’t intrigue me. I think others can do that.
BARRY LEVINSON

Business Hollywood Insider Satire Thinking

You do understand that you can’t force the situation, but in terms of how you edit, you can define that to take the audience along, whether it be a storyline or a character moment that we can play out. The more experience you’ve had, the more beneficial it is, period.

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Popular Authors

You do understand that you can’t force the situation, but in terms of how you edit, you can define that to take the audience along, whether it be a storyline or a character moment that we can play out. The more experience you’ve had, the more beneficial it is, period.

Related Topics

Popular Authors

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