I think test screening works at its best when the audience knows what it’s getting.
BARRY LEVINSONI got involved with an acting school and studied for a couple years. They used to have improv exercises that you would work on and you would do improvs.
More Barry Levinson Quotes
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I thought a great line in the What Just Happened movie said, “We’re just the mayonnaise.”
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All I try to do is create an atmosphere that seems comfortable enough, that it removes tension and everyone feels free. If they feel free then behaviour happens, small moments happen and that’s what ultimately works the best for me.
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There was a time when I said, “I’m going to go do a television thing,” after doing all these theatrical films, and heard, “Television? Why are you going to go back to television?” It’s an interesting place.
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They’re intimidating the networks and levying these fines, so the networks are not sure of what they can or can’t do.
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Studios just sometimes make decisions on their own that you’re always flabbergasted by. It just happens that way for whatever reason – not even pointing fingers, it just is.
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I think it’s a promising time which will show a lot of diversification that we’ve seen in the past.
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I play around with human things, human relationships and that, and allow that kind of talk to work in that way, on that level.
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I don’t know that you can do it as a satire. I mean, the business is crazy enough as it is. It’s like doing Wag The Dog – we took a thing that was almost completely absurd on one level, and then ultimately those things came about.
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I’ve had a lot of movies that didn’t get great numbers on test screening, but a lot of times the film was able to survive, or the studio still stayed and supported it.
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No one really has the power, and everybody’s trying to get through the day, and everybody’s nervous and desperate.
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I always think that there is the good and the bad of it all.
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I’m fascinated by documentaries, to begin with. Because of the nature of television, as opposed to theatrical, documentaries can be in this long form and take you on a journey.
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I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.
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The interesting thing about movies, it’s not always – y’know, you have to have structure etc and all those things, but an audience responds, in many ways, we walk away and certain things stay in our heads that are memorable.
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Even back in the ’90s, I shot certain things on something that wasn’t digital then, but it was on VHS with a smaller camera and we would up it to film.
BARRY LEVINSON