You need to see a bit of hell now and then. That, and great joy.
BARRY HANNAHVoice comes to you through a spell, a trance. The best voices are not you… they’re a little away from you.
More Barry Hannah Quotes
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Time is what makes good stories. Much has been cooking for a long time, and at last finds an out in narration one day. That’s a supreme joy. And why the characters keep showing up.
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The wild stuff is all so overrated. Drinking, you don’t feel good all the time. There’s a lot of down, a lot of misery.
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The alcohol had the code and mystery about it as a writer’s drug, but I’m glad that’s been debunked. But the trouble with the drinking, much as I hate to admit it, is it helped the work.
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Some writers are curiously unmusical. I don’t get it. I don’t get them. For me, music is essential. I always have music on when I’m doing well. Writing and music are two different mediums, but musical phrases can give you sentences that you didn’t think you ever had.
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I don’t write under the ghost of Faulkner. I live in the same town and find his life and work inspiring, but that’s it. I have a motorcycle and tool along the country lanes. I travel at my own speed.
BARRY HANNAH -
Randomness I love. And I still love just a holler right in the middle of an ongoing narrative. Pain or joy, ecstasy.
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A writers job is to destroy and then to build the thing back up again by a chosen means.
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Professional Southerners sicken me.
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I thought I was writing for a fairly hip, intelligent crowd; I just thought there were more of them out there. But they’re not. They’re not out there waiting. They’re not gonna use their intelligence on your book.
BARRY HANNAH -
I distrust thought. The interior life is highly overrated. I don’t like the wispy and the vague… or inductive logic in any kind of writing. I’m impatient with writers who make too much sense. The better things that I’ve done have come to me by instinct.
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You’ve got to lie to stay halfway interested in yourself.
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I wanted very much to be Miles Davis when I was a boy, but without the practice. It just looked like an endless road.
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I do believe that as you write more and age, the arrogance and most of the vanity goes. Or it is a vanity met with vast gratitude, that you were hit by something as you stood in the way of it, that anybody is listening.
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The Deep South might be wretched, but it can howl.
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My stories do have plot. They’re not just scattered language; they’re controlled, toward an end.
BARRY HANNAH