I think pictures and words have the power to make us rich or poor.
BARBARA KRUGERImages are made palpable, ironed flat by technology and, in turn, dictate the seemingly real through the representative.
More Barbara Kruger Quotes
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I had to figure out how to bring the world into my work.
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Doubt tempers belief with sanity.
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I don’t necessarily think that installation is the only way to go. It’s just a label for certain kinds of arrangements.
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Teaching at university isn’t like teaching in an art school.
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It’s good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can’t be personalized.
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Money talks. It starts rumors about careers and complicity and speaks of the tragedies and triumphs of our social lives.
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The different aspects of my activity, whether it’s writing criticism, or doing visual work that incorporates writing, or teaching, or curating, is all of a single cloth, and I don’t make any separation in terms of those practices.
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I think what I’m trying to do is create moments of recognition. To try to detonate some kind of feeling or understanding of lived experience.
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I have frequently said, and I will repeat again, in the manner of any well-meaning seriality, that I’m interested in mixing the ingratiation of wishful thinking with the criticality of knowing better.
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Look, we’re all saddled with things that make us better or worse. This world is a crazy place, and I’ve chosen to make my work about that insanity.
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Listen: our culture is saturated with irony whether we know it or not.
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I like suggesting that ‘we are slaves to the objects around us,’ that ‘plenty should be enough,’ or that the ‘buyer should beware,’ within the context of conventional selling space.
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It’s really hard for me to use the term ‘history’ in the singular, because it suggests a reductivist view of how moments and events congeal and reflect the passage of time. I’d rather stick to the pluralness of ‘histories’ in order to suggest the simultaneity, the parallel forces at work, which produce lived experience.
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You know, one of the only times I ever wrote about art was the obituary of Warhol that I did for the Village Voice.
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Photography has saturated us as spectators from its inception amidst a mingling of laboratorial pursuits and magic acts to its current status as propagator of convention, cultural commodity, and global hobby.
BARBARA KRUGER