I think there are different ways of being rigorous, and I am asking people to be as rigorous in their pleasure as in their criticism.
BARBARA KRUGERDo you know why language manifests itself the way it does in my work? It’s because I understand short attention spans.
More Barbara Kruger Quotes
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I like suggesting that ‘we are slaves to the objects around us,’ that ‘plenty should be enough,’ or that the ‘buyer should beware,’ within the context of conventional selling space.
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I have frequently said, and I will repeat again, in the manner of any well-meaning seriality, that I’m interested in mixing the ingratiation of wishful thinking with the criticality of knowing better.
BARBARA KRUGER -
Fashion is everywhere and about everything. It is folly, vanity and the fun of it all. It is disguise, innuendo, and cunning. It is mean, gorgeous and ambitious, and definitely the last word for the next few seconds.
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What makes the production of my work so expensive? The whole installation thing – the construction, the objects, the technology. It really adds up.
BARBARA KRUGER -
Love is something you fall into.
BARBARA KRUGER -
It’s really hard for me to use the term ‘history’ in the singular, because it suggests a reductivist view of how moments and events congeal and reflect the passage of time. I’d rather stick to the pluralness of ‘histories’ in order to suggest the simultaneity, the parallel forces at work, which produce lived experience.
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It’s good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can’t be personalized.
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Listen: our culture is saturated with irony whether we know it or not.
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I think pictures and words have the power to make us rich or poor.
BARBARA KRUGER -
Memory is your image of perfection.
BARBARA KRUGER -
I think that every so-called history book and film biography should be prefaced by the statement that what follows is the author’s rendition of events and circumstances.
BARBARA KRUGER -
It entered the visual vocabulary of photographers, painters and sculptors and focused on what pictures and words look like and what they can mean.
BARBARA KRUGER -
I’d always been a news junkie, always read lots of newspapers and watched the Sunday morning news shows on TV and felt strongly about issues of power, control, sexuality and race.
BARBARA KRUGER -
Images are made palpable, ironed flat by technology and, in turn, dictate the seemingly real through the representative.
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I had to figure out how to bring the world into my work.
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I think people have to set up little battles. They have to demonize people whom they disagree with or feel threatened by. But it’s the ideological framing of the debate that scares me.
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There are so many moments and works that influence us in what we do. Movies, music, TV and, most importantly, the profound everydayness of our lives.
BARBARA KRUGER -
I have no complaints, except for the world.
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You know, one of the only times I ever wrote about art was the obituary of Warhol that I did for the Village Voice.
BARBARA KRUGER -
If I bring up political power, personal power, it sounds like they’re my terms, and they’re not.
BARBARA KRUGER -
I’m trying to deal with ideas about histories, fame, hearsay, and how public identities are constructed.
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I think I developed language skills to deal with threat. It’s the girl thing to do-you know, instead of pulling out a gun.
BARBARA KRUGER -
Money talks. It makes art. It determines what food we eat, whether we are cured or die, and what shoes we wear.
BARBARA KRUGER -
Look, we’re all saddled with things that make us better or worse. This world is a crazy place, and I’ve chosen to make my work about that insanity.
BARBARA KRUGER -
Although my art work was heavily informed by my design work on a formal and visual level, as regards meaning and content the two practices parted ways.
BARBARA KRUGER -
You want it, you buy it, you forget it.
BARBARA KRUGER