“Money talks. It starts rumors about careers and complicity and speaks of the tragedies and triumphs of our social lives.”

What makes the production of my work so expensive? The whole installation thing – the construction, the objects, the technology. It really adds up.

I think people have to set up little battles. They have to demonize people whom they disagree with or feel threatened by. But it’s the ideological framing of the debate that scares me.

Warhol’s images made sense to me, although I knew nothing at the time of his background in commercial art. To be honest, I didn’t think about him a hell of a lot.

I’ve always thought that it’s good to watch the news to find out what everybody else is looking at and believing, if only because that’s how consensus is constructed.

Listen: our culture is saturated with irony whether we know it or not.

You make history when you do business.

It entered the visual vocabulary of photographers, painters and sculptors and focused on what pictures and words look like and what they can mean.

Direct address has been a consistent tactic in my work, regardless of the medium that I’m working in.

Doubt tempers belief with sanity.

I think what I’m trying to do is create moments of recognition. To try to detonate some kind of feeling or understanding of lived experience.

You know, one of the only times I ever wrote about art was the obituary of Warhol that I did for the Village Voice.

As with the Princess Di crash, which sent the media on the most insane feeding frenzy. From the moment of the crash, the pornography of sentiment never let up.

All violence is the illustration of a pathetic stereotype.

Seeing is no longer believing. The very notion of truth has been put into crisis. In a world bloated with images, we are finally learning that photographs do indeed lie.

Things change and work changes. Right now I like the idea of enveloping a space and getting messages across that connect to the world in ways that seem familiar but are different.

I’m trying to deal with ideas about histories, fame, hearsay, and how public identities are constructed.

It’s been a wonderful career, I couldn’t ask for anything more.

The bottom line is that TV can either be a great asset to your career, or if you’re a complete ass that people hate, it can be the final nail in your coffin.

I used to follow celebrities, and I remember I watched Sanjay Dutt and Pooja Bhatt shooting for ‘Sadak’. I was standing on the road at three in the night, but little did I know that I would be making a film with Sanjay at some point in my career.

I don’t need to have a retirement, retire your jersey, all that stuff to solidify my career.

Having an enviable career is one thing. Being a happy person is another

The things Elvis has done during his career and the things he has contributed and created are really something very important to the music business.

I had a great tennis career. I have no regrets. But to find peace with yourself, and to finally be with your family – I’m probably the happiest guy in the world.

I always wanted to have a career that would keep me at home in New York so I can work in the theater all the time and be involved in the creative process from the ground up.