I don’t feel I’m a compulsive person. I multitask. I’m really well-organised, and I have lots of people to help me.
ALAN CUMMINGI like the tragedies way more than the comedies because they’re so universal.
More Alan Cumming Quotes
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I’d been depressed before, of course. But I’m talking about really depressed. Not just feeling a bit down or sad, a depression that has something to do with biorhythms. I’m talking about the kind of depressed that floats in upon you like a fog.
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Sometimes people get really sniffy about the films you choose if you’ve done more dramatic projects or you’re classically trained.
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It’s exciting to be with really, really good people. Some people make you feel like you’ve got to up your game.
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I’m Scottish first, and it’s odd to hear that I’m a Scottish-American.
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I actually find in America, there’s a slight snobbery about actors who go back and forth between big heavy dramas and popcorn fare. That always intrigues me, because that doesn’t exist in the same way in Britain. And I imagine it would be worse.
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It’s interesting, for me sappy means sentimental and something that gets you in your heart, gets you emotional. That’s what I mean. Also, of course, it means that I’m slightly setting up the audience that there’s a bit of fun involved, as well.
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It just seems to me that it’s hypocritical for us as a culture to say, “Bullying is a terrible thing,” when really, they are just reflecting what the society is doing.
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I had to be a grown-up when I should have been a little boy, and now that I’m a grown-up my little-boyness has exploded out of me. I’ve lived my life backwards.
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I come more to Scotland than I ever used to, so I feel more connected to it, more part of the zeitgeist. You know when you realize you have a choice and I’m choosing my homeland. It’s funny: when you get older these things creep up to you.
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My feeling about work is it’s much more about the experience of doing it than the end product. Sometimes things that are really great and make lots of money are miserable to make, and vice versa.
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When you’re on TV, you come into people’s homes. In theater and film, they go to you – to the temple of the cinema or theater. And it’s very different.
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For example, Americans seem reluctant to take on Shakespeare because you don’t think you’re very good at it – which is rubbish. You’re missing out here.
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It’s really rare for film directors to be that interested in things other than themselves.
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Often for me, if I hear a song I know, it clicks for me and I hear it in a different way and I think, “I could sing that song. I’ve got something to say about that song. Wanting to connect with an audience and wanting them to rethink songs.
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I was so scared of going back to the theatre after Hamlet. I didn’t know if I’d do a play again because I was afraid of the power of it.
ALAN CUMMING