You should *have* an experience; it shouldn’t just *be* an experience.
ALAN CUMMINGSo if I’m swirling around on some wires, talking to Fred Flintstone, I make it the funnest I can. I also want to be good at it. I don’t want to be a crap cartoon character. I want to be proud I’m a vitamin!
More Alan Cumming Quotes
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Once in a while it’s good to challenge yourself in a way that’s really daunting.
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I like working on things that are very different and that involve different disguises.
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I’d been depressed before, of course. But I’m talking about really depressed. Not just feeling a bit down or sad, a depression that has something to do with biorhythms. I’m talking about the kind of depressed that floats in upon you like a fog.
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It’s hardly ever done, compared to how often it’s done in other companies, not just Britain. Someone from the Roundabout Theater Company – I said, “You never do Shakespeare.” And he said, “Yes, we’re not very good at it.” And I thought, “What a terrible thing to say.”.
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When there’s an adult person who’s scaring you, you grow up pretty quickly.
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If you are a cabaret artist and you are mostly singing other people’s songs, you’re asking them to rethink a song, listen to it in a different way. The most impact you can have while asking them to re-listen to a song is if it’s a song they know very well.
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Working with good people is always good.
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Be who you like as long as you mean it.
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I come more to Scotland than I ever used to, so I feel more connected to it, more part of the zeitgeist. You know when you realize you have a choice and I’m choosing my homeland. It’s funny: when you get older these things creep up to you.
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I think people deny themselves by putting themselves into categories.
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For example, Americans seem reluctant to take on Shakespeare because you don’t think you’re very good at it – which is rubbish. You’re missing out here.
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My mum always told me I was precious, while my dad always told me I was worthless. I think that’s a good grounding for a balanced life.
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I usually can find a way to do a character to make it real and work. But sometimes it’s a struggle sustaining that, because there’s such a level of personal involvement and personal, physical, and emotional distraughtness.
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It is not hard to feel like an outsider. I think we have all felt like that at one time or another.
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Romeo is the most misunderstood character in literature, I think. He’s hardcore to play because he’s displaying the characteristics of Hamlet at the beginning, and, well, then everything else happens.
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