Be who you like as long as you mean it.
ALAN CUMMINGI usually can find a way to do a character to make it real and work. But sometimes it’s a struggle sustaining that, because there’s such a level of personal involvement and personal, physical, and emotional distraughtness.
More Alan Cumming Quotes
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Usually, there’s a story I’ve told that leads up to why I’m singing the song. The whole concept of the show was about being authentic and connecting with these songs. The best way to do that was in a room with an audience and for people to listen to that.
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I actually find in America, there’s a slight snobbery about actors who go back and forth between big heavy dramas and popcorn fare. That always intrigues me, because that doesn’t exist in the same way in Britain. And I imagine it would be worse.
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It’s actually quite a good ethos for life: go into the unknown with truth, commitment, and openness and mostly you’ll be okay.
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I don’t avoid anyone but I always think some people hate me.
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The thing with film and theater is that you always know the story so you can play certain cues in each scene with the knowledge that you know where the story’s going to end and how it’s going to go. But on television nobody knows what’s going to happen, even the writers.
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You do get really exhausted doing films. You work such long hours, and after a while, things can get out of perspective, just like if anyone’s tired, things get on top of them.
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I started to itch to do a play again and ‘Macbeth’ came to the surface in my mind. I never thought I would do it in a conventional way. A sweaty Macbeth with blood on his arms coming in fresh from the battle doesn’t interest me.
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So if I’m swirling around on some wires, talking to Fred Flintstone, I make it the funnest I can. I also want to be good at it. I don’t want to be a crap cartoon character. I want to be proud I’m a vitamin!
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It’s interesting, for me sappy means sentimental and something that gets you in your heart, gets you emotional. That’s what I mean. Also, of course, it means that I’m slightly setting up the audience that there’s a bit of fun involved, as well.
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In my first year at drama school, I did this kids’ show called ‘Let’s See.
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For example, Americans seem reluctant to take on Shakespeare because you don’t think you’re very good at it – which is rubbish. You’re missing out here.
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Most people will never know anything beyond what they see with their own two eyes.
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Pantomime is a big thing in the cultural calendar of my country, you know. So subtlety’s not my forte.
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Working with good people is always good.
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It’s exciting to be with really, really good people. Some people make you feel like you’ve got to up your game.
ALAN CUMMING