Actually I like working kind of fast, because if you got it, why bother doing it over and over?
ALAN CUMMINGI usually can find a way to do a character to make it real and work. But sometimes it’s a struggle sustaining that, because there’s such a level of personal involvement and personal, physical, and emotional distraughtness.
More Alan Cumming Quotes
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When there’s an adult person who’s scaring you, you grow up pretty quickly.
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I don’t avoid anyone but I always think some people hate me.
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Romeo is the most misunderstood character in literature, I think. He’s hardcore to play because he’s displaying the characteristics of Hamlet at the beginning, and, well, then everything else happens.
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In terms of the sort of class, and the sort of snobby, slightly on the back-foot thing Britain has. But it’s much more prevalent in America.
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I come more to Scotland than I ever used to, so I feel more connected to it, more part of the zeitgeist. You know when you realize you have a choice and I’m choosing my homeland. It’s funny: when you get older these things creep up to you.
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It’s actually quite a good ethos for life: go into the unknown with truth, commitment, and openness and mostly you’ll be okay.
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I’d been depressed before, of course. But I’m talking about really depressed. Not just feeling a bit down or sad, a depression that has something to do with biorhythms. I’m talking about the kind of depressed that floats in upon you like a fog.
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I started to itch to do a play again and ‘Macbeth’ came to the surface in my mind. I never thought I would do it in a conventional way. A sweaty Macbeth with blood on his arms coming in fresh from the battle doesn’t interest me.
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When you’re on TV, you come into people’s homes. In theater and film, they go to you – to the temple of the cinema or theater. And it’s very different.
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Most people will never know anything beyond what they see with their own two eyes.
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It is actually important to do songs they’re familiar with. Also, I love those songs. In a way, I think I’ve changed people’s perceptions of what a cabaret show like this could be.
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I like the tragedies way more than the comedies because they’re so universal.
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It just seems to me that it’s hypocritical for us as a culture to say, “Bullying is a terrible thing,” when really, they are just reflecting what the society is doing.
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A sweaty Macbeth with blood on his arms coming in fresh from the battle doesn’t interest me.
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I usually can find a way to do a character to make it real and work. But sometimes it’s a struggle sustaining that, because there’s such a level of personal involvement and personal, physical, and emotional distraughtness.
ALAN CUMMING