The telephone becomes an instrument of torture in the demonic hands of a beloved who doesn’t call.
ALAIN DE BOTTONUnnatural to expect that learning to be happy should be any easier than, say, learning to play the violin or require any less practice.
More Alain de Botton Quotes
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Our sadness won’t be of the searing kind but more like a blend of joy and melancholy: joy at the perfection we see before us, melancholy at an awareness of how seldom we are sufficiently blessed to encounter anything of its kind.
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How do the stems connect to the roots?’ ‘Where is the mist coming from?’ ‘Why does one tree seem darker than another?’ These questions are implicitly asked and answered in the process of sketching.
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When Proust urges us to evaluate the world properly, he repeatedly reminds us of the value of modest scenes.
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I went to church and couldn’t swallow it. The music was nice but I don’t belong there.
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to design means forcing ourselves to unlearn what we believe we already know, patiently to take apart the mechanisms behind our reflexes and to acknowledge the mystery and stupefying complexity of everyday gestures like switching off a light of turning on a tap
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Taking photographs can assuage the itch for possession sparked by the beauty of a place; our anxiety over losing a precious scene can decline with every click of the shutter.
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Most of what makes a book ‘good’ is that we are reading it at the right moment for us.
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One of the better guarantors of ending up in a good relationship: an advanced capacity to be alone.
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The greatest works of art speak to us without knowing us.
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I am in general a very pessimistic person with an optimistic, day to day take on things. The bare facts of life are utterly terrifying. And yet, one can laugh. Indeed, one has to laugh precisely because of the darkness: the nervous laughter of the trenches.
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Man seems merely dust postponed: the sublime as an encounter – pleasurable, intoxicating, even – with human weakness in the face of strength, age and size of the universe.
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Sweetness is the opposite of machismo, which is everywhere-and I really don’t get on with machismo. I’m interested in sensitivity, and weakness, and fear, and anxiety, because I think that, at the end of the day, behind our masks, that’s what we are.
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The longing for a destiny is no nowhere stronger than in our romantic life. All too often forced to share our bed with those who cannot fathom our soul, can we not be forgiven if we believe ourselves fated to stumble one day upon the man or woman of our dreams.
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It is striking how much more seriously we are likely to be taken after we have been dead a few centuries.
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Our jobs make relentless calls on a narrow band of our faculties, reducing our chances of achieving rounded personalities and leaving us to suspect (often in the gathering darkness of a Sunday evening) that much of who we are, or could be, has gone unexplored.
ALAIN DE BOTTON