We will cease to be angry once we cease to be so hopeful.
ALAIN DE BOTTONWork finally begins when the fear of doing nothing exceeds the fear of doing it badly.
More Alain de Botton Quotes
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All tours are filled with humiliation. My publisher once hired a private jet to fly me to a venue where 1,000 people were waiting. It almost bankrupted him.
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Booksellers are the most valuable destination for the lonely, given the numbers of books that were written because authors couldn’t find anyone to talk to.
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Our sadness won’t be of the searing kind but more like a blend of joy and melancholy: joy at the perfection we see before us, melancholy at an awareness of how seldom we are sufficiently blessed to encounter anything of its kind.
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If our lives are dominated by a search for happiness, then perhaps few activities reveal as much about the dynamics of this quest – in all its ardour and paradoxes – than our travels.
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William James once made an acute point about the relationship between happiness and expectation. He argued that satisfaction with ourselves does not require us to succeed in every endeavour.
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The problem isn’t so much finding good ideas (there is no shortage) as embedding the ones we have into everyday practice.
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Art holds out the promise of inner wholeness.
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Because the rhythm of conversation makes no allowance for dead periods, because the presence of others calls for continuous responses, we are left to regret the inanity of what we say, and the missed opportunity of what we do not.
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One of the unexpectedly important things that art can do for us is to teach us how to suffer more successfully.
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One of our major flaws, and causes of unhappiness, is that we find it hard to take note of appreciate and be grateful for what is always around us. We suffer because we lose sight of the value of what is before us and yearn, often unfairly, for the imagined attraction elsewhere.
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Work is most fulfilling when you’re at the comfortable, exciting edge of not quite knowing what you are doing.
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As victims of hurt, we frequently don’t bring up what ails us, because so many wounds look absurd in the light of day.
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A danger of travel is that we see things at the wrong time, before we have had a chance to build up the necessary receptivity and when new information is therefore as useless and fugitive as necklace beads without a connecting chain.
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If we are inclined to forget how much there is in the world besides that which we anticipate, then works of art are perhaps a little to blame, for in them we find at work the same process of simplification or selection as in the imagination.
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The greatest works of art speak to us without knowing us.
ALAIN DE BOTTON