We will cease to be angry once we cease to be so hopeful.
ALAIN DE BOTTONWe are like an exquisite high-speed aircraft which for lack of a tiny part is left stranded beside the runway, rendered slower than a tractor or bicycle.
More Alain de Botton Quotes
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You need a long hard day’s work to reveal the logic of the craving for very bad tv and alcohol.
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Maturity: knowing where you’re crazy, trying to warn others of the fact and striving to keep yourself under control.
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The happiness that may emerge from taking a second look is central to Proust’s therapeutic conception. It reveals the extent to which our dissatisfactions may be the result of failing to look properly at our lives rather than the result of anything inherently deficient about them.
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Not everyone is worth listening to.
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Don’t despair: despair suggests you are in total control and know what is coming. You don’t – surrender to events with hope.
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Intuition is unconscious accumulated experience informing judgement in real time.
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As victims of hurt, we frequently don’t bring up what ails us, because so many wounds look absurd in the light of day.
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The more closely we analyze what we consider ‘sexy,’ the more clearly we will understand that eroticism is the feeling of excitement we experience at finding another human being who shares our values and our sense of the meaning of existence.
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Perhaps it is true that we do not really exist until there is someone there to see us existing, we cannot properly speak until there is someone who can understand what we are saying in essence, we are not wholly alive until we are loved.
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I am in general a very pessimistic person with an optimistic, day to day take on things. The bare facts of life are utterly terrifying. And yet, one can laugh. Indeed, one has to laugh precisely because of the darkness: the nervous laughter of the trenches.
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As we write, so we build: to keep a record of what matters to us.
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Art cannot single-handedly create enthusiasm… it merely contributes to enthusiasm and guides us to be more conscious of feelings that we might previously have experienced only tentatively or hurriedly.
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Our homes do not have to offer us permanent occupancy or store our clothes to merit the name. To speak of home in relation to a building is simply to recognise its harmony with our own prized internal song. Home can be an airport or a library, a garden or a motorway diner.
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A danger of travel is that we see things at the wrong time, before we have had a chance to build up the necessary receptivity and when new information is therefore as useless and fugitive as necklace beads without a connecting chain.
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There are selections so acute that they come to define a place, with the result that we can no longer travel through that landscape without being reminded of what a great artist noticed there.
ALAIN DE BOTTON