Unnatural to expect that learning to be happy should be any easier than, say, learning to play the violin or require any less practice.
ALAIN DE BOTTONSweetness is the opposite of machismo, which is everywhere-and I really don’t get on with machismo. I’m interested in sensitivity, and weakness, and fear, and anxiety, because I think that, at the end of the day, behind our masks, that’s what we are.
More Alain de Botton Quotes
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Intimacy is the capacity to be rather weird with someone – and finding that that’s ok with them.
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Reputation matters so much only because people so seldom think for themselves.
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Because it’s bad enough not getting what you want, but it’s even worse to have an idea of what it is you want and find out at the end of the journey that it isn’t, in fact, what you wanted all along.
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Politics is so difficult, it’s generally only people who aren’t quite up to the task who feel convinced they are.
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Don’t despair: despair suggests you are in total control and know what is coming. You don’t – surrender to events with hope.
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As victims of hurt, we frequently don’t bring up what ails us, because so many wounds look absurd in the light of day.
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Good books put a finger on emotions that are deeply our own – but that we could never have described on our own.
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Feeling lost, crazy and desperate belongs to a good life as much as optimism, certainty and reason.
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What is fascinating about marriage is why anyone wants to get married.
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All tours are filled with humiliation. My publisher once hired a private jet to fly me to a venue where 1,000 people were waiting. It almost bankrupted him.
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Our jobs make relentless calls on a narrow band of our faculties, reducing our chances of achieving rounded personalities and leaving us to suspect (often in the gathering darkness of a Sunday evening) that much of who we are, or could be, has gone unexplored.
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There is always the option of being emotionally lazy, that is, of quoting.
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It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us.
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There is a longing for a return to a time without the need for choices, free of the regret at the inevitable loss that all choice (however wonderful) has entailed.
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What should worry us is not the number of people that oppose us, but how good their reasons are for doing so.
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