A ‘good job’ can be both practically attractive while still not good enough to devote your entire life to.
ALAIN DE BOTTONSocial media has lots of benefits, but compared to Christianity, it tends to group people by interests. Religion puts you with people who have nothing in common except that you’re human.
More Alain de Botton Quotes
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What kills us isn’t one big thing, but thousands of tiny obligations we can’t turn down for fear of disappointing others.
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It seems that most of us could benefit from a brush with a near-fatal disaster to help us recognise the important things that we are too defeated or embittered to recognise from day to day.
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Differ though we might with Christianity’s view of what precisely our souls need, it is hard to discredit the provocative underlying thesis.
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Rage is caused by a conviction, almost comic in its optimistic origins (however tragic in its effects), that a given frustration has not been written into the contract of life.
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To be shown love is to feel ourselves the object of concern: our presence is noted, our name is registered, our views are listened to, our failings are treated with indulgence and our needs are ministered to. And under such care, we flourish.
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I feel that the great challenge of our time is the communication of ideas.
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In a secularising world, art has replaced religion as a touchstone of our reverence and devotion.
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We may seek a fortune for no greater reason than to secure the respect and attention of people who would otherwise look straight through us.
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Socrates, on being insulted in the marketplace, asked by a passerby, “Don’t you worry about being called names?” retorted, “Why? Do you think I should resent it if an ass had kicked me?
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Not being understood may be taken as a sign that there is much in one to understand.
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The longing for a destiny is no nowhere stronger than in our romantic life. All too often forced to share our bed with those who cannot fathom our soul, can we not be forgiven if we believe ourselves fated to stumble one day upon the man or woman of our dreams.
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How do the stems connect to the roots?’ ‘Where is the mist coming from?’ ‘Why does one tree seem darker than another?’ These questions are implicitly asked and answered in the process of sketching.
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It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us.
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One of the unexpectedly important things that art can do for us is to teach us how to suffer more successfully.
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As we write, so we build: to keep a record of what matters to us.
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