In America most everybody who’s Italian is half Italian. Except me. I’m all Italian. I’m mostly Sicilian, and I have a little bit of Neapolitan in me. You get your full dose with me.
AL PACINOThe story of Salome, the play itself and what it is, what it contains, and my journey as an actor, as a director, as a filmmaker, as a person struggling with whatever I’m struggling with.
More Al Pacino Quotes
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It would be hard to play a character you don’t like – for me anyway – or can’t find something in them to like.
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I found they took a lot out of you and they were exhausting for me in a lot of ways.
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The thing that can get you a little upset is when people say other people are better than you. That can bug you.
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All I am is what I’m going after.
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[Salomaybe] is my presentation, my vision of the world. Not so much to satisfy the audience at large.
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Actors are always outsiders. It’s necessary to be able to interpret – and that gets distorted when you become famous.
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My own celebrity, my own life. This is semi-autobiographical in terms of my commitment to this kind of thing.
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I always tell the truth. Even when I lie.
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One of the things that made me want to be an actor more than ever was seeing a Chekhov play, “The Sea Gull,” when was 14 in the Bronx.
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I’ve never felt sensitive to the whole issue, because being macho has never been a problem with me.
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Failure’s relative. I’ve always felt, even early on, if I lose the freedom to fail, something’s not right about that. It’s how you treat failure, too.
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It wasn’t until I got older that I realized acting was something I could really do.
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The literal, basic thing of the stage is really like a magnet. It brings me back to earth.
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I like, for instance, ‘Serpico.’ I enjoyed playing Serpico because Frank Serpico was there. He existed. He was a real life person and I could – I could embody him. I could, you know.
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That was the first thing I was struck by, not by the acting, not by anything else, but by the physicality.
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