Actually, the person I related to was James Dean. I grew up with the Dean thing. Rebel Without A Cause had a very powerful effect on me.
AL PACINOI always tell the truth. Even when I lie.
More Al Pacino Quotes
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I didn’t know what I was going to do with my life. I just had a kind of energy, I was a fairly happy kid.
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Any project that I find encouraging that isn’t attached to a studio, I can go to them, which I definitely would. You have to take an interest in what you do.
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I’m much more a European Italian than I am an American Italian, and I’ve always felt that that style of acting comedy is in me.
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Read it to the class and then afterward we would talk and I would answer questions. It was really a way of expressing and finding out about where I was at that particular time, so it was very therapeutic for me.
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Learning (Shakespeare’s plays) …in school was a bit of a bore.
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You sharpen the human appetite to the point where it can split atoms with its desire; you build egos the size of cathedrals; fiber-optically connect the world to every eager impulse.
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I did it in Looking for Richard, too. And I figure, if I can weave it into the actual play and get the audience interested, like the robes going up and down, they’ll pay attention long enough to consume it.
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What kind of failure was it? A failure because it’s misunderstood by others? A failure because you misunderstood it yourself?
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The story of Salome, the play itself and what it is, what it contains, and my journey as an actor, as a director, as a filmmaker, as a person struggling with whatever I’m struggling with.
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I used to think of myself as a comedian. I’ve always admired comedians.
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The truth is, you know, we need our anodynes. You know that word, anodynes? We need that in life some times.
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I personally think if you’re given four months instead of four weeks on a play, with the people who want to work that way.
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What’s this thing that gets between us and Shakespeare?
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I found they took a lot out of you and they were exhausting for me in a lot of ways.
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I’m more comfortable in a play. In film, there’s always a certain sense of control, of holding back.
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You try to maintain a neutral approach to your work, and not be too hard on yourself.
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I want to be a great actor someday, and I’ve decided there’s no use philosophizing; the only way is to work at my craft.
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The fruit falls off the tree. You don’t shake it off before it’s ready to fall.
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[Salomaybe] is my presentation, my vision of the world. Not so much to satisfy the audience at large.
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I can see [ talent or curiosity for acting] in my oldest daughter [Julia Marie Pacino]. I don’t know how long she’ll run away from it, but it’s there in her.
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I don’t like a lot of things like [Iraq], I never did. Being in a position of celebrity and having your words carry such unnatural weight…
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My weaknesses… I wish I could come up with something.
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Failure’s relative. I’ve always felt, even early on, if I lose the freedom to fail, something’s not right about that. It’s how you treat failure, too.
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So I grew up having a certain relationship to work. It was something that I always wanted.
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I always tell the truth. Even when I lie.
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I’ ve won awards. And they didn’t make me feel bad winning them.
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