I guess it has to do with my tradition and being Italian, we’re very outgoing with our emotions.
AL PACINOI like women who can cook. That’s first. Love is very important, but you’ve got to have a friend first.
More Al Pacino Quotes
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I never saw myself as a director. It’s certainly a second language but making movies for 40 years, you pick stuff up. However, this style of making movies, this documentary style, is easier for me because I gather a lot of material and with an editor, write it on screen. You try to write based on what you shot.
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In America most everybody who’s Italian is half Italian. Except me. I’m all Italian. I’m mostly Sicilian, and I have a little bit of Neapolitan in me. You get your full dose with me.
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sometimes it’s better to be with the devil u know than the angel u didn’t know
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The difference between the actor and the painter is that the actor would buy somebody a knish in order to have them watch him act.
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I’m sensing something and I’m going along with it. It reminds me of a painting, the way Jackson Pollack painted – Jackson Pollack, the great, great artist.
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My weaknesses… I wish I could come up with something.
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Freedom, baby, is never having to say youre sorry.
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I haven’t encouraged [Julia Marie Pacino] or discouraged her. I let her go her own way.
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Or try out what I learned and see how it worked with an audience, because where are you gonna get an audience?
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I picked the wrong movie, or I didn’t pursue a character, but everything you do is part of you and you get something from it.
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You could almost call them marriages, even though I didn’t marry. But it was costly.
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I don’t like a lot of things like [Iraq], I never did. Being in a position of celebrity and having your words carry such unnatural weight…
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[Ocean’s Thirteen] is a great group, and it was an opportunity to work with Steven Soderbergh. But mainly? It was shot in L.A. and I want to be next to my kids.
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The whole thing is, they never asked for it, that kingdom.
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It’s very evocative; it’s like a first cut because you hear ‘She walked to the door,’ and you visualize all these things. ‘She opens the door’ . . . because you read the stage directions, too.
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Everything changes with age. The parts change with age, your feelings about them change, roles that I would’ve wanted to play 10 years ago, I don’t want to play now.
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That’s the way to live – around people who care. It may be a tough ride, but something is going to come out of it.
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The physical stamina [in Revolution]. I was just shocked by it. I didn’t think I had it in me ever, and I wasn’t terribly young when I did it. I was in my early forties.
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To me, it’s not who you love… a man, a woman, what have you… it’s the fact that you love. That is all that truly matters.
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I am more alive in the theater than anywhere else, but what I take into the theater I get from the streets.
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“What was that, George, what were you doing?” And he said, “They were sleeping.” You’re always trying to catch them.
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I don’t talk politics and I don’t talk philosophy or anything like that, but if you look at my work, you might get an expression of me as a person.
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When you perform with a live audience, the audience comes back to you.
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My own celebrity, my own life. This is semi-autobiographical in terms of my commitment to this kind of thing.
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I went to Performing Arts because that was the only school that would accept me. My scholastic level was not very high.
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The actor becomes an emotional athlete. The process is painful – my personal life suffers.
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