I guess it has to do with my tradition and being Italian, we’re very outgoing with our emotions.
AL PACINOI don’t see my Oscar much now. But when I first got it, there was a feeling for weeks afterward that I guess is akin to winning a gold medal in the Olympics.
More Al Pacino Quotes
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I don’t feel like a person who takes risks. Yet there’s something within me that must provoke controversy because I find it wherever I go.
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I learned to wrestle, I learned defensive fighting at a young age, because when someone hit me, I would throw up and fall down.
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I personally think if you’re given four months instead of four weeks on a play, with the people who want to work that way.
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My first language was shy. It’s only by having been thrust into the limelight that I have learned to cope with my shyness.
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I go all over the world, I have access to many things, many people, many places and it’s wonderful. But now I’m at a point where.
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If something is working, don’t fix it. Keep going. Go with the glow.
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Either I act or I die.
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I was never very happy with performing; it didn’t turn me on much.
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An actor basically likes to be asked to do something, no matter what position he’s in. It feels more natural. Sitting and waiting is more gratifying.
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You never open your mouth until you know what the shot is.
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It’s very evocative; it’s like a first cut because you hear ‘She walked to the door,’ and you visualize all these things. ‘She opens the door’ . . . because you read the stage directions, too.
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Romantic love can be a lot of crap, though, let me tell you. And it can hurt you.
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If I was a painter no one would question me about my age. I’m an artist, I hate saying that.
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There was once a great actor named George C. Scott. He was on stage in the Delacourt Theater in Central Park, where they do Shakespeare every summer, and he was playing Shylock in The Merchant of Venice.
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I’m not a violent person, never was, but I have this temperament that I’ve always displayed.
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When you do these things, you sort of take the journey. The journey is all about how I can interweave the Oscar Wilde story.
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It was a compromise. There was a sense that I could write my own memoirs, and Larry [Grobel] would help me down the line, or maybe not, maybe he was too close to me.
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When you’re reading some of the great plays, when you do what I call “taking up with a writer,” something happens.
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I don’t need bodyguards. I’m from the South Bronx.
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So I’ve been doing everything that has to do with being next to them, close to them.
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You want to finally come to a point where you say that the women you’re with is also your friend.
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Our ability to manufacture fraud now exceeds our ability to detect it.
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I understand the directors much more. I was always rebelling against them when I was a youngster, I didn’t want to be told what to do. I had no identification.
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I wanted to be a baseball player, naturally, but I wasn’t good enough.
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It was her way of getting out, and she would take me with her. I’d go home and act all the parts.
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I am more alive in the theater than anywhere else, but what I take into the theater I get from the streets.
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