When you’re reading some of the great plays, when you do what I call “taking up with a writer,” something happens.
AL PACINOThe thing is doing it, that’s what it’s all about. Not in the results of it. After all what is a risk? It’s a risk not to take risks. Otherwise, you can go stale and repeat yourself.
More Al Pacino Quotes
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I was never very happy with performing; it didn’t turn me on much.
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At this point in my career, I don’t have to deal with audition rejections. So I get my rejection from other things.
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The interesting thing about this is I don’t know what my vision [ in Salome the play and Salomaybe] is yet about.
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The reasons you have for doing a movie will vary with the way your life is going. There was a time when a made a some movies because I felt I needed to work.
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The play will invariably be different and stronger, and much more fulfilling and richer on all counts. There’s no doubt in my mind about it.
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A kiss is a lusty dollop of dessert to be served with desire and savored with passion.
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I destroy it because it’s no longer coming from my unconscious.
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The difference between the actor and the painter is that the actor would buy somebody a knish in order to have them watch him act.
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A lot of actors choose parts by the scripts, but I don’t trust reading the scripts that much.
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Responsibilities are relative. My responsibility is to a character in a script, to a part I’m playing.
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Francis Ford Coppola did this early on. You tape a movie, like a radio show, and you have the narrator read all the stage directions.
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We were doing Scarface many years ago…and I remember having my coffee and looking at the beach, the surf, and I saw a hundred people looking out into the ocean.
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My weaknesses… I wish I could come up with something.
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I would say I am more concerned with the plays I’m going to do than the movies.
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Grease even the dullest dreams with these dollar-green, gold-plated fantasies, until every human becomes an aspiring emperor, becomes his own God… and where can you go from there?
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When [Julia Marie Pacino] was 5 or 6 years old, we were in an Italian restaurant, and these people came by the table and they would start talking to me, asking me for my autograph and she just went under the table.
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I don’t like what’s going on in Iraq, naturally. I’m part of a large majority of people who don’t, but I do not know the whole story.
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Waiting around and doing these lines over and over and finally having to go in and loop the lines and dub them.
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On any given Sunday you’re gonna win or you’re gonna lose. The point is — can you win or lose like a man?
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The hardest thing about being famous is that people are always nice to you.
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My dad was in the army. World War II. He got his college education from the army. After World War II he became an insurance salesman.
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I would come home and she would tell me about her life that day and all her problems and I remember saying to her, look, you really got me through this picture because I would shed everything when I came home.
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I am more alive in the theater than anywhere else, but what I take into the theater I get from the streets.
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I don’t talk politics and I don’t talk philosophy or anything like that, but if you look at my work, you might get an expression of me as a person.
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It was a compromise. There was a sense that I could write my own memoirs, and Larry [Grobel] would help me down the line, or maybe not, maybe he was too close to me.
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I learned to wrestle, I learned defensive fighting at a young age, because when someone hit me, I would throw up and fall down.
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