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The root of any film project for me is this inner need to express something.

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Express Film Flower Inner Need Project Root Something Tree

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

Something that you should take particular notice of is the fact that the best scripts have very few explanatory passages.
AKIRA KUROSAWA

Believe Best Character Explanatory Fall Notice Particular Passage Script Something
Although human beings are incapable of talking about themselves with total honesty, it is much harder to avoid the truth while pretending to be other people.
AKIRA KUROSAWA

Although Being Honesty Incapable People Pretend Talking Themselves Total Truth
To be an artist means never to avert one’s eyes.
AKIRA KUROSAWA

Art Artist Avert Eye Mean
If you look at everything straight on, there is nothing to be afraid of.
AKIRA KUROSAWA

Afraid Everything Look Nothing Straight
People today have forgotten they’re really just a part of nature. Yet, they destroy the nature on which our lives depend. They always think they can make something better…
AKIRA KUROSAWA

Air Better Depend Destroy Forgotten Nature Part People Something Thinking
With a good script a good director can produce a masterpiece; with the same script a mediocre director can make a passable film. But with a bad script even a good director can’t possibly make a good film.
AKIRA KUROSAWA

Bad Director Expression Film Fire Good Masterpiece Mediocre Passable Producer Real Same Script
A truly good movie is enjoyable too. There’s nothing complicated about it.
AKIRA KUROSAWA

Complicated Enjoyable Film Good Most Movie One Wrote
I suppose all of my films have a common theme. If I think about it, though, the only theme I can think of is really a question: Why can’t people be happier together?
AKIRA KUROSAWA

Common Film People Suppose Theme Think Together
The terrible thing is that people who are madmen in private may wear a totally bland and innocent expression in public.
AKIRA KUROSAWA

Bland Expression Innocent Madmen People Private Public Terrible Thing Totally Wear
There is something that might be called cinematic beauty. It can only be expressed in a film, and it must be present for that film to be a moving work.
AKIRA KUROSAWA

Beauty Believe Call Cinematic Express Film might Moving People Something
The great appeal of film is its relatability.
AKIRA KUROSAWA

Appeal Film Great Relatability
Adding explanation to the descriptive passages of a screenplay is the most dangerous trap you can fall into.
AKIRA KUROSAWA

Adding Dangerous Descriptive Explanation Fall Into Most Passage Screenplay Tray
It is the power of memory that gives rise to the power of imagination.
AKIRA KUROSAWA

Give Imagination Memory Power Rise
Man is a genius when he dreams. Dream what you are capable of. The harder you dream it, the sooner it will come true.
AKIRA KUROSAWA

Come Dream Genius Harder Man True
There is nothing that says more about its creator than the work itself.
AKIRA KUROSAWA

Creator Itself More Nothing Work
I had wanted to make The Idiot long before Rashomon. Since I was little I’ve liked Russian literature, but I find that I like Dostoevsky the best and had long thought that this book would make a wonderful film.
AKIRA KUROSAWA

Book Country Film Idiot Like Literature Long Make Want Wonderful

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