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The root of any film project for me is this inner need to express something.

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Express Film Flower Inner Need Project Root Something Tree

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

If you want to be a great director, be a great screenwriter.
AKIRA KUROSAWA

Director Greater Screenwriter Want
I have no idea who the characters are, later, their personalities take over anything I might want to do.
AKIRA KUROSAWA

Anything Character Go Idea might Over Personality Want Writing
While the cameras are rolling, I rarely look directly at the actors, but focus my gaze somewhere else.
AKIRA KUROSAWA

Actor Camera Direct Else Focus Gaze Look Rarely Rolling Somewhere
I don’t feel out of place. I think of earth as my home. If everyone thought this way, people might notice just how foolish international friction is and the would be put an end to it.
AKIRA KUROSAWA

Earth End Feel Foolish Friction Home International Notice Out Place
By doing this I sense instantly when something isn’t right. Watching something does not mean fixing your gaze on it, but being aware of it in a natural way.
AKIRA KUROSAWA

Aware Being Fix Instantly Nature Right Sense Something Watch Way
People today have forgotten they’re really just a part of nature. Yet, they destroy the nature on which our lives depend. They always think they can make something better…
AKIRA KUROSAWA

Air Better Depend Destroy Forgotten Nature Part People Something Thinking
A truly good movie is enjoyable too. There’s nothing complicated about it.
AKIRA KUROSAWA

Complicated Enjoyable Film Good Most Movie One Wrote
Adding explanation to the descriptive passages of a screenplay is the most dangerous trap you can fall into.
AKIRA KUROSAWA

Adding Dangerous Descriptive Explanation Fall Into Most Passage Screenplay Tray
The root of any film project for me is this inner need to express something.
AKIRA KUROSAWA

Express Film Flower Inner Need Project Root Something Tree
For truly cinematic expression, the camera and the microphone must be able to cross both fire and water.
AKIRA KUROSAWA

Able Camera Cinematic Cross Expression Fire Microphone Truly Water
During the shooting of a scene the director’s eye has to catch even the minutest detail. But this does not mean glaring concentratedly at the set.
AKIRA KUROSAWA

Believe Carch Detail Director Eye Mean Minute Scene
If I were to write anything at all, it would turn out to be nothing but talk about movies. In other words, take ‘myself,’ subtract ‘movies,’ and the result is ‘zero.’
AKIRA KUROSAWA

Anything Movie Nothing Result Talk Turn Writing Zero
It’s easy to explain the psychological state of a character at a particular moment, but it’s very difficult to describe it through the delicate nuances of action and dialogue. Yet it is not impossible.
AKIRA KUROSAWA

Action Character Dialogue Difficult Explain Moment Particular Possible Psychological State
In order to find reality, each must search for his own universe, look for the details that contribute to this reality7 that one feels under the surface of things.
AKIRA KUROSAWA

Artist Contribute Detail Each Mean Must Order Own Reality Search Universe
I simply do not like to show my weakness, and I hate to lose, so I am a person who tries hard. That’s all there is to me.
AKIRA KUROSAWA

Hate Lose Person Show Simpy Try Weakness
They don’t know it, but they’re losing nature. They don’t see that they’re going to perish. The most important things for human beings are clean air and clean water.
AKIRA KUROSAWA

Clean Going Human Important Lose Most Nature Parish Water

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