If you want to be a great director, be a great screenwriter.
AKIRA KUROSAWAThe great appeal of film is its relatability.
More Akira Kurosawa Quotes
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People today have forgotten they’re really just a part of nature. Yet, they destroy the nature on which our lives depend. They always think they can make something better…
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I believe that it is this quality that draws people to come and see a film, and that it is the hope of attaining this quality that inspires the filmmaker to make his film in the first place.
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but ignorance is a kind of insanity in the human animal. People who delight in torturing defenseless children or tiny creatures are in reality insane.
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For me, filmmaking combines everything. That’s the reason I’ve made cinema my life’s work. In films, painting and literature, theatre and music come together. But a film is still a film.
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To be an artist means to search, to find and look at these realities. To be an artist means never to look away.
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That is what makes a real movie. The script must be something that has the power to do this.
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Man is a genius when he dreams. Dream what you are capable of. The harder you dream it, the sooner it will come true.
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The Japanese see self-assertion as immoral and self- sacrifice as the sensible course to take in life.
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In a mad world only the mad are sane.
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In order to find reality, each must search for his own universe, look for the details that contribute to this reality7 that one feels under the surface of things.
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I believe this is what the medieval Noh playwright and theorist Zeami meant by ‘watching with a detached gaze.’
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I’ve been able to work for so long because I think next time, I’ll make something good.
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When it is very well expressed, one experiences a particularly deep emotion while watching that film.
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What nurtures this root and makes it grow into a tree is the script. What makes the tree bear flowers and fruit is the directing.
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The truth is in the mystery.
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I can’t afford to hate anyone. I don’t have that kind of time.
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During the shooting of a scene the director’s eye has to catch even the minutest detail. But this does not mean glaring concentratedly at the set.
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It is to make it nurture and grow that I write my script- it is directing it that makes my tree blossom and bear fruit.
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I don’t feel out of place. I think of earth as my home. If everyone thought this way, people might notice just how foolish international friction is and the would be put an end to it.
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I am not a special person, I am not especially strong; I am not especially gifted.
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Of all my films, people wrote to me most about this one.
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One of techniques of modern art is simplification, and that I must therefore simplify this film.
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The terrible thing is that people who are madmen in private may wear a totally bland and innocent expression in public.
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The characters in my films try to live honestly and make the most of the lives they’ve been given.
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I suppose all of my films have a common theme. If I think about it, though, the only theme I can think of is really a question: Why can’t people be happier together?
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When I start on a film I always have a number of ideas about my project. Then one of them begins to germinate, to sprout, and it is this, which I take and work with.
AKIRA KUROSAWA