For truly cinematic expression, the camera and the microphone must be able to cross both fire and water.
AKIRA KUROSAWADuring the shooting of a scene the director’s eye has to catch even the minutest detail. But this does not mean glaring concentratedly at the set.
More Akira Kurosawa Quotes
-
-
I have no idea who the characters are, later, their personalities take over anything I might want to do.
AKIRA KUROSAWA -
I like silent pictures and I always have … I wanted to restore some of this beauty. I thought of it, I remember in this way.
AKIRA KUROSAWA -
I can’t afford to hate anyone. I don’t have that kind of time.
AKIRA KUROSAWA -
I am not a special person, I am not especially strong; I am not especially gifted.
AKIRA KUROSAWA -
but ignorance is a kind of insanity in the human animal. People who delight in torturing defenseless children or tiny creatures are in reality insane.
AKIRA KUROSAWA -
What nurtures this root and makes it grow into a tree is the script. What makes the tree bear flowers and fruit is the directing.
AKIRA KUROSAWA -
If I were to write anything at all, it would turn out to be nothing but talk about movies. In other words, take ‘myself,’ subtract ‘movies,’ and the result is ‘zero.’
AKIRA KUROSAWA -
I believe that it is this quality that draws people to come and see a film, and that it is the hope of attaining this quality that inspires the filmmaker to make his film in the first place.
AKIRA KUROSAWA -
In order to find reality, each must search for his own universe, look for the details that contribute to this reality7 that one feels under the surface of things.
AKIRA KUROSAWA -
There is nothing that says more about its creator than the work itself.
AKIRA KUROSAWA -
My films come from my need to say a particular thing at a particular time. The beginning of any film for me is this need to express something.
AKIRA KUROSAWA -
Human beings share the same common problems. A film can only be understood if it depicts these properly.
AKIRA KUROSAWA -
While the cameras are rolling, I rarely look directly at the actors, but focus my gaze somewhere else.
AKIRA KUROSAWA -
The films an audience really enjoys are the ones that were enjoyable in the making.
AKIRA KUROSAWA -
That is what makes a real movie. The script must be something that has the power to do this.
AKIRA KUROSAWA -
The root of any film project for me is this inner need to express something.
AKIRA KUROSAWA -
Of all my films, people wrote to me most about this one.
AKIRA KUROSAWA -
I believe this is what the medieval Noh playwright and theorist Zeami meant by ‘watching with a detached gaze.’
AKIRA KUROSAWA -
There is something that might be called cinematic beauty. It can only be expressed in a film, and it must be present for that film to be a moving work.
AKIRA KUROSAWA -
The terrible thing is that people who are madmen in private may wear a totally bland and innocent expression in public.
AKIRA KUROSAWA -
For me, filmmaking combines everything. That’s the reason I’ve made cinema my life’s work. In films, painting and literature, theatre and music come together. But a film is still a film.
AKIRA KUROSAWA -
I end up writing not from my own will, but from theirs-they come alive as I write and make me do things that I couldn’t have planned.
AKIRA KUROSAWA -
Movie directors, or should I say people who create things, are very greedy and they can never be satisfied… That’s why they can keep on working.
AKIRA KUROSAWA -
I like unformed characters. This may be because, no matter how old I get, I am still unformed myself.
AKIRA KUROSAWA -
They often reveal much about themselves in a very straightforward way. I am certain that I did. There is nothing that says more about its creator than the work itself.
AKIRA KUROSAWA -
The great appeal of film is its relatability.
AKIRA KUROSAWA