To be an artist means never to avert one’s eyes.
AKIRA KUROSAWAIf I were to write anything at all, it would turn out to be nothing but talk about movies. In other words, take ‘myself,’ subtract ‘movies,’ and the result is ‘zero.’
More Akira Kurosawa Quotes
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Movie directors, or should I say people who create things, are very greedy and they can never be satisfied… That’s why they can keep on working.
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but ignorance is a kind of insanity in the human animal. People who delight in torturing defenseless children or tiny creatures are in reality insane.
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The truth is in the mystery.
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When I start on a film I always have a number of ideas about my project. Then one of them begins to germinate, to sprout, and it is this, which I take and work with.
AKIRA KUROSAWA -
The Japanese see self-assertion as immoral and self- sacrifice as the sensible course to take in life.
AKIRA KUROSAWA -
With a good script a good director can produce a masterpiece; with the same script a mediocre director can make a passable film. But with a bad script even a good director can’t possibly make a good film.
AKIRA KUROSAWA -
I simply do not like to show my weakness, and I hate to lose, so I am a person who tries hard. That’s all there is to me.
AKIRA KUROSAWA -
I can’t afford to hate anyone. I don’t have that kind of time.
AKIRA KUROSAWA -
Yet pleasure in the work can’t be achieved unless you know you have put all of your strength into it and have done your best to make it come alive.
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The terrible thing is that people who are madmen in private may wear a totally bland and innocent expression in public.
AKIRA KUROSAWA -
Something that you should take particular notice of is the fact that the best scripts have very few explanatory passages.
AKIRA KUROSAWA -
By doing this I sense instantly when something isn’t right. Watching something does not mean fixing your gaze on it, but being aware of it in a natural way.
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Although human beings are incapable of talking about themselves with total honesty, it is much harder to avoid the truth while pretending to be other people.
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There is something that might be called cinematic beauty. It can only be expressed in a film, and it must be present for that film to be a moving work.
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Adding explanation to the descriptive passages of a screenplay is the most dangerous trap you can fall into.
AKIRA KUROSAWA