Language is the ticket to plot and character, after all, because both are built out of language.
AIMEE BENDERIt’s such a fraught and exciting and kind of horrible time.
More Aimee Bender Quotes
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But I loved George in part because he believed me; because if I stood in a cold, plain room and yelled FIRE, he would walk over and ask me why.
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You’re the perfect girl’, he said, rubbing his chin. ‘You expect nothing.
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You can ruin anything if you focus at it.
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And the warmth of the music inside her, did she believe, for even one glorious second, that her passion had arrived?
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When the light at Vernon turned green, we stepped into the street and George grabbed my hand and the ghosts of our younger selves crossed with us.
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Light is good company, when alone; I took my comfort where I found it, and the warmest yellow bulb in the living-room lamp had become a kind of radiant babysitter all its own.
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He was also removing all traces of any tiny leftover parts, and suddenly a ritual which I’d always found incestuous and gross seemed to me more like a desperate act on Joseph’s part to get out, to leave, to extract every little last remnant and bring it into open air.
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You feel wonderful, you feel like somebody knows you’re alive, you feel fear because it could be a bomb, because you think you’re that important.
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There’s a gift in your lap and it’s beautifully wrapped and it’s not your birthday.
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I didn’t mind the quiet stretches. It was like we were trying out the idea of being side by side.
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When language is treated beautifully and interestingly, it can feel good for the body: It’s nourishing; it’s rejuvenating.
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It seems the best work I do is when I am really allowing the unconscious to rule the page and then later I can go back and hack around and make sense of things.
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I have had with novel writing, and I have put to bed big chunks of work that just didn’t sustain my interest.
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Glen Hirshberg’s stories are haunting, absolutely, but not only because of the content.
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It’s such a fraught and exciting and kind of horrible time.
AIMEE BENDER