Humor is such a strong weapon, such a strong answer.
AGNES VARDAThe boundaries between contemporary art and cinema are so rigid. It’s unbelievable.
More Agnes Varda Quotes
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When I started my first film, there were three women directors in France. Their films were OK, but I was different. It’s like when you start to jump and you put the pole very high – you have to jump very high. I thought, I have to use cinema as a language.
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Many filmmakers have made resurgent work, and I was just a little ahead of the time.
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People think you are an orphan when you are a child, and don’t believe that old people can feel that they are orphans.
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I’d been educated stupidly, I knew nothing about nothing, that’s part of being shy.
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We need to find another way or another shape or an allegory or something that tells us more.
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It’s a way of living, cinema. And I see my family, I do this and that, I travel. It’s a long process to let it happen.
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I was free always. I could work without the money, to film this and that. But this is another point, because now I’m alone, and I can just use it when I want.
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I call [ordinary people] real people, because they have in themselves an incredible treasure – stories, a way of speaking, a way of sharing, an innocence and a perversity which I find very interesting to discover little by little.
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I wanted to catch the problem of consumption, waste, poor people eating what we throw away, which is a big subject. But I didn’t want to become a sociologue, an ethnographe, a serious thinker. I thought I should be free, even in a documentary which has a very serious subject.
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I don’t do films pre-prepared by other people, I don’t do star system. So I do my own little thing.
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People like my films. They understand me through my films; it’s like a connection that has been established between all my work and myself and the audience and the viewer.
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I need images, I need representation which deals in other means than reality. We have to use reality but get out of it. That’s what I try to do all the time.
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I was a photographer first.I worked alone. I did it my way as much as I could. I have been sort of courageous about doing things, because I didn’t think I should do less than my brothers.
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I tried to find a language for the film – not just telling stories. I picked the Picasso painting because it said more than I could explain.
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An old woman I loved very much when I was young – the wife of Jean Villard – she’s just reciting poetry all the time, which is beautiful because it means she went back to the world of poetry that she loved when she was young. That’s all she does.
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