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The boundaries between contemporary art and cinema are so rigid. It’s unbelievable.

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Art Boundaries Cinema Contemporary Critics Film Rigid Unbelievable

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

It’s a way of living, sharing things with people who work with me, and they seem to enjoy it.
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Society is so slow. A feminist is a bore.
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I had flops, I had success.
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I never adapted anything. Beautiful books are beautiful books, that’s it. I don’t know why we should transform them.
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I wanted to catch the problem of consumption, waste, poor people eating what we throw away, which is a big subject. But I didn’t want to become a sociologue, an ethnographe, a serious thinker. I thought I should be free, even in a documentary which has a very serious subject.
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I’d been educated stupidly, I knew nothing about nothing, that’s part of being shy.
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To change history is very slow. The first two times I came to the States – black people didn’t have the right to vote.
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My company is called Ciné-Tamaris, which is rosemary. That’s my speed. Hot water and herb.
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I’ve always been like this – trying to find adventure where it’s still in its first élan – the first spring.
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I quit seeing some people who were saying bad things about women; I don’t even want to meet them or see them.
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There is a song of Gainsbourg that Jane Birkin sang, and the words are beautiful in French. It says, “Le jeu et les moi.” It’s impossible to translate, because it has a very nice sound.
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She almost doesn’t recognize her children, but she recites Valéry and Baudelaire. So what? We’re the ones who are suffering. She’s not.
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