Nostalgia doesn’t make sense, because it’s like bringing the memories back to be a special part of my day or to be part of my week. And I’m inside my memories the same way I’m inside my everyday life.
AGNES VARDAI think I got people confidence because I was not looking at them like insects that I would film.
More Agnes Varda Quotes
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I think I got people confidence because I was not looking at them like insects that I would film.
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Even Vagabond – it was a fiction but it was really a documentary. I mean, it has the texture of documentary. Even if I made up every line, it has the texture of being true.
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You have to invent life.
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I don’t do films pre-prepared by other people, I don’t do star system. So I do my own little thing.
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I wanted to speak strongly about feminism in my life, since it’s been a struggle.
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With Jane Birkin, we had a scene from a film called Jane B. by Agnès V. – a portrait I made in ’87. We had a casino scene, surrealistic, in which we had some naked people gambling. Jane Birkin was the card dealer and I was the player.
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We got along very well without trying to make me look like I’m what I’m not.
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But in a way we all have a Mona. We all have inside ourselves a woman who walks alone on the road. In all women there is something in revolt that is not expressed.
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Humor is such a strong weapon, such a strong answer. Women have to make jokes about themselves, laugh about themselves, because they have nothing to lose.
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I should say nothing! I’m through with it! I hate to repeat myself all the time.
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I need images, I need representation which deals in other means than reality. We have to use reality but get out of it. That’s what I try to do all the time.
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Many filmmakers have made resurgent work, and I was just a little ahead of the time.
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I don’t try to make a place in history at all! People put me in the history of cinema because my first film, La pointe-courte, was so ahead of some other filmmakers.
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When I saw what painting had done in the last thirty years, what literature had done – people like Joyce and Virginia Woolf, Faulkner and Hemingway – in France we have Nathalie Sarraute – and paintings became so strongly contemporary while cinema was just following the path of theater.
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I think we need to have a nest of something which is family.
AGNES VARDA