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I wanted to catch the problem of consumption, waste, poor people eating what we throw away, which is a big subject. But I didn’t want to become a sociologue, an ethnographe, a serious thinker. I thought I should be free, even in a documentary which has a very serious subject.

Agnes Varda

Nostalgia doesn’t make sense, because it’s like bringing the memories back to be a special part of my day or to be part of my week. And I’m inside my memories the same way I’m inside my everyday life.
AGNES VARDA

Bringing Everyday Memories Nostalgia Sense Special
I had beautiful jewelery around me, and when I lost I would take the jewelery and say, Service – being very generous, because it was very expensive jewelery. I would say, Tip.
AGNES VARDA

Beautiful Expensive Jewelry Lost Service Tip
This is all you need in life: a computer, a camera, and a cat.
AGNES VARDA

All Camera Cat Computer Need
Humor is such a strong weapon, such a strong answer.
AGNES VARDA

Answer Humor Strong Such Thinking Weapon
Good cinema is good cinema. It makes you feel like you need to work.
AGNES VARDA

Cinema Essential Feel Good Job Need Work Yesterday
I’m not interested in seeing a film just made by a woman – not unless she is looking for new images.
AGNES VARDA

Film Ghouls Image Interested Looking Made Unless Woman
The film critics don’t know my artwork and the art world doesn’t know my films.
AGNES VARDA

Art Artwork Critic Film Know Time
I’m trying to capture something more fragile than a regular story. I love what people bring me.
AGNES VARDA

Capture Love People Regular Something Stories Story Try Trying
When I started my first film, there were three women directors in France. Their films were OK, but I was different. It’s like when you start to jump and you put the pole very high – you have to jump very high. I thought, I have to use cinema as a language.
AGNES VARDA

Cinema Country Different Director Film First High Jump Language Pole Started Three Women
To share a lot of ideas – not ideas – emotions, a way of looking at people, a way of looking at life. If it can be shared, it means there is a common denominator.
AGNES VARDA

Emotion Idea Life Looking Lot Mean People Share
If we opened people up, we’d find landscapes.
AGNES VARDA

Find Landscape Opened People
I didn’t see films when I was young. I was stupid and naïve. Maybe I wouldn’t have made films if I had seen lots of others; maybe it would have stopped me.
AGNES VARDA

Beautiful Crazy Film Maybe Stopped Stupid Young
I need images, I need representation which deals in other means than reality. We have to use reality but get out of it. That’s what I try to do all the time.
AGNES VARDA

Deal Image Mean Need Reality Representation Time Use
When I saw what painting had done in the last thirty years, what literature had done – people like Joyce and Virginia Woolf, Faulkner and Hemingway – in France we have Nathalie Sarraute – and paintings became so strongly contemporary while cinema was just following the path of theater.
AGNES VARDA

Contemporary Country Done Last Literature Painting People Saw Strongly Theatre Virginia Year
I was free always. I could work without the money, to film this and that. But this is another point, because now I’m alone, and I can just use it when I want.
AGNES VARDA

Always Could Film Free Money Sometimes Thinking Work
It’s a way of living, sharing things with people who work with me, and they seem to enjoy it.
AGNES VARDA

Enjoy Living People Seem Sharing Way Work

I wanted to catch the problem of consumption, waste, poor people eating what we throw away, which is a big subject. But I didn’t want to become a sociologue, an ethnographe, a serious thinker. I thought I should be free, even in a documentary which has a very serious subject.

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I wanted to catch the problem of consumption, waste, poor people eating what we throw away, which is a big subject. But I didn’t want to become a sociologue, an ethnographe, a serious thinker. I thought I should be free, even in a documentary which has a very serious subject.

Related Topics

Popular Authors

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