I’m missing some people, you know, and this is not nostalgia. I miss them. This is melancholy.
AGNES VARDAYou are always in the world. Even in Vagabond. I am not on the road, I am not eating nothing.
More Agnes Varda Quotes
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Humor is such a strong weapon, such a strong answer. Women have to make jokes about themselves, laugh about themselves, because they have nothing to lose.
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I call [ordinary people] real people, because they have in themselves an incredible treasure – stories, a way of speaking, a way of sharing, an innocence and a perversity which I find very interesting to discover little by little.
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Gleaning is getting things that are abandoned. I did not abandon my early pictures, my photos, my early films. It’s just going through my body of work as something I can pick from.
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Nostalgia doesn’t make sense, because it’s like bringing the memories back to be a special part of my day or to be part of my week. And I’m inside my memories the same way I’m inside my everyday life.
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Good cinema is good cinema. It makes you feel like you need to work.
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It’s a way of living, sharing things with people who work with me, and they seem to enjoy it.
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I think people should be different. I love people who don’t go by the rule that you have to be careful because you’re old, you have to do this and that, you have to eat this and that.
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I don’t watch my own films. There is little time; I’d rather see another film.
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I’m not nostalgic. My memories are back here in my mind.
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I tried to find a language for the film – not just telling stories. I picked the Picasso painting because it said more than I could explain.
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I didn’t go to film school. I was never an assistant or trainee on a film. I had not seen all those cameras. So I think it gave me a lot of freedom.
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But in a way we all have a Mona. We all have inside ourselves a woman who walks alone on the road. In all women there is something in revolt that is not expressed.
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You have to invent life.
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I think the digital cameras have changed my view. Even though sometimes, including the installations that I show, I mix 35mm filming and video handmade.
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She almost doesn’t recognize her children, but she recites Valéry and Baudelaire. So what? We’re the ones who are suffering. She’s not.
AGNES VARDA