It’s a way of living, sharing things with people who work with me, and they seem to enjoy it.
AGNES VARDAEven Vagabond – it was a fiction but it was really a documentary. I mean, it has the texture of documentary. Even if I made up every line, it has the texture of being true.
More Agnes Varda Quotes
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In my films I always wanted to make people see deeply. I don’t want to show things, but to give people the desire to see.
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Sometimes I feel sad, but this is not nostalgia, because I don’t want time to come back.
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I’m myself – knowing I’m doing a documentary and speaking with the people, telling them I have a bed, that I can eat every day, but I would like to speak to you. And they really gave me wonderful answers.
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I didn’t have a list of things I should do this year, next year, find a good novel, sign two stars and make a deal – because I think cinema should come from cinema.
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When I saw what painting had done in the last thirty years, what literature had done – people like Joyce and Virginia Woolf, Faulkner and Hemingway – in France we have Nathalie Sarraute – and paintings became so strongly contemporary while cinema was just following the path of theater.
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But in a way we all have a Mona. We all have inside ourselves a woman who walks alone on the road. In all women there is something in revolt that is not expressed.
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If you know nothing, it could be like an enemy in a way. I think that’s the way I felt when I was young.
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I had beautiful jewelery around me, and when I lost I would take the jewelery and say, Service – being very generous, because it was very expensive jewelery. I would say, Tip.
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I tried to find images, allegorical images, that I could use to express things that I didn’t want to say or didn’t want to show or I was not able to find how to show.
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I had flops, I had success.
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I didn’t go to film school. I was never an assistant or trainee on a film. I had not seen all those cameras. So I think it gave me a lot of freedom.
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I think I got people confidence because I was not looking at them like insects that I would film.
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The tool of every self-portrait is the mirror. You see yourself in it. Turn it the other way, and you see the world .
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Good cinema is good cinema. It makes you feel like you need to work.
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Some Bresson, some Godard of the early times, the Cassavetes of those years I love. And the early Wim Wenders. But my own films I don’t watch, unless I need them.
AGNES VARDA






