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Even Vagabond – it was a fiction but it was really a documentary. I mean, it has the texture of documentary. Even if I made up every line, it has the texture of being true.

Agnes Varda

You can buy a good pasta but when you cook it yourself it has another feeling.
AGNES VARDA

Another Buy Cook Feeling Good Pasta
I’m not interested in seeing a film just made by a woman – not unless she is looking for new images.
AGNES VARDA

Film Ghouls Image Interested Looking Made Unless Woman
Some Bresson, some Godard of the early times, the Cassavetes of those years I love. And the early Wim Wenders. But my own films I don’t watch, unless I need them.
AGNES VARDA

Bresson Cassavetes Early Film Godard Love Need Some Time Unless Watch
The film critics don’t know my artwork and the art world doesn’t know my films.
AGNES VARDA

Art Artwork Critic Film Know Time
Even Vagabond – it was a fiction but it was really a documentary. I mean, it has the texture of documentary. Even if I made up every line, it has the texture of being true.
AGNES VARDA

Documentary Every Line Fiction Science Texture True
I try to do nothing. I drink rosemary when I have a lot of work to do. People take coffee, they take speed, whatever. I take rosemary.
AGNES VARDA

Coffee Lot Nothing People Rosemary Trying Work
I think we need to have a nest of something which is family.
AGNES VARDA

Family Need Nest Something Think Thinking
I should say nothing! I’m through with it! I hate to repeat myself all the time.
AGNES VARDA

All Hate Myself Nothing Repeat Time
The story of a couple is always very fragile, especially over more than thirty years.
AGNES VARDA

Always Couple Cuple Especially Fragile More Over Strong Thirty Year
I was free always. I could work without the money, to film this and that. But this is another point, because now I’m alone, and I can just use it when I want.
AGNES VARDA

Always Could Film Free Money Sometimes Thinking Work
To share a lot of ideas – not ideas – emotions, a way of looking at people, a way of looking at life. If it can be shared, it means there is a common denominator.
AGNES VARDA

Emotion Idea Life Looking Lot Mean People Share
I call [ordinary people] real people, because they have in themselves an incredible treasure – stories, a way of speaking, a way of sharing, an innocence and a perversity which I find very interesting to discover little by little.
AGNES VARDA

Discover Incredible Interesting Ordinary People Real Stories Themselves Treasure Way
I don’t try to make a place in history at all! People put me in the history of cinema because my first film, La pointe-courte, was so ahead of some other filmmakers.
AGNES VARDA

Cinema Film Filmmaker First History Make People Picture Place Trying
I did not think that woman would be restrained. I never saw that, especially not in filmmaking, where you don’t have to be strong.
AGNES VARDA

Especially Filmmaking Saw Strong Woman
I’m still fighting. I don’t know how much longer, but I’m still fighting a struggle, which is to make cinema alive and not just make another film.
AGNES VARDA

Alive Cinema Fighting Hope Struggle
I wanted to catch the problem of consumption, waste, poor people eating what we throw away, which is a big subject. But I didn’t want to become a sociologue, an ethnographe, a serious thinker. I thought I should be free, even in a documentary which has a very serious subject.
AGNES VARDA

Away Catch Consumption Documentary Eating Ethnography People Want Problem Serious Sociologie Subject Thinker Throw Wanted

Even Vagabond – it was a fiction but it was really a documentary. I mean, it has the texture of documentary. Even if I made up every line, it has the texture of being true.

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Even Vagabond – it was a fiction but it was really a documentary. I mean, it has the texture of documentary. Even if I made up every line, it has the texture of being true.

Related Topics

Popular Authors

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