I tried to find a language for the film – not just telling stories. I picked the Picasso painting because it said more than I could explain.
AGNES VARDAI try to do nothing. I drink rosemary when I have a lot of work to do. People take coffee, they take speed, whatever. I take rosemary.
More Agnes Varda Quotes
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The story of a couple is always very fragile, especially over more than thirty years.
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Sometimes I say, If I had seen some masterpieces, maybe I wouldn’t have dared start. I started very – not innocent, but naïve in a way.
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You are always in the world. Even in Vagabond. I am not on the road, I am not eating nothing.
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It’s nice to think that we have in ourselves the energy. It’s somewhere, but it’s sleeping sometimes. I try to wake it up when I need it.
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Many filmmakers have made resurgent work, and I was just a little ahead of the time.
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I quit seeing some people who were saying bad things about women; I don’t even want to meet them or see them.
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My company is called Ciné-Tamaris, which is rosemary. That’s my speed. Hot water and herb.
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I see all these students, and I admire them – they’re trying to learn something, they go to school, they do film school, they go on shoots, they help.
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I don’t watch my own films. There is little time; I’d rather see another film.
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I had a world. I don’t think I had a career. I made films.
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You know, an hour and fifty-four minutes is too much for audiences. They get nervous.
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An old woman I loved very much when I was young – the wife of Jean Villard – she’s just reciting poetry all the time, which is beautiful because it means she went back to the world of poetry that she loved when she was young. That’s all she does.
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I don’t believe in inspiration that arrives like a bolt from the blue … It seems to me that the more motivated I am by what I film, the more objectively I film.
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I think the digital cameras have changed my view. Even though sometimes, including the installations that I show, I mix 35mm filming and video handmade.
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I wanted to catch the problem of consumption, waste, poor people eating what we throw away, which is a big subject. But I didn’t want to become a sociologue, an ethnographe, a serious thinker. I thought I should be free, even in a documentary which has a very serious subject.
AGNES VARDA