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With Jane Birkin, we had a scene from a film called Jane B. by Agnès V. – a portrait I made in ’87. We had a casino scene, surrealistic, in which we had some naked people gambling. Jane Birkin was the card dealer and I was the player.

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If we opened people up, we’d find landscapes.
AGNES VARDA

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Even Vagabond – it was a fiction but it was really a documentary. I mean, it has the texture of documentary. Even if I made up every line, it has the texture of being true.
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People like my films. They understand me through my films; it’s like a connection that has been established between all my work and myself and the audience and the viewer.
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Just yesterday I saw a good film, but even if I’d seen a bad one, I’d feel, “Oh my god, what a bad job, I can do better.”
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You are always in the world. Even in Vagabond. I am not on the road, I am not eating nothing.
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I have to do something which relates with my time, and in my time, we make things differently.
AGNES VARDA

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I didn’t go to film school. I was never an assistant or trainee on a film. I had not seen all those cameras. So I think it gave me a lot of freedom.
AGNES VARDA

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I had flops, I had success.
AGNES VARDA

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To change history is very slow. The first two times I came to the States – black people didn’t have the right to vote.
AGNES VARDA

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I’m myself – knowing I’m doing a documentary and speaking with the people, telling them I have a bed, that I can eat every day, but I would like to speak to you. And they really gave me wonderful answers.
AGNES VARDA

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I try to do nothing. I drink rosemary when I have a lot of work to do. People take coffee, they take speed, whatever. I take rosemary.
AGNES VARDA

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I did not think that woman would be restrained. I never saw that, especially not in filmmaking, where you don’t have to be strong.
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Especially Filmmaking Saw Strong Woman
You have to invent life.
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I’m sure they learn a lot, and some of them, it makes them aware of what they wish to do. I was – that’s the way I was – autodidact.
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Autodidact Aware Learn Some Sure Way Wish
The boundaries between contemporary art and cinema are so rigid. It’s unbelievable.
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I don’t try to make a place in history at all! People put me in the history of cinema because my first film, La pointe-courte, was so ahead of some other filmmakers.
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Cinema Film Filmmaker First History Make People Picture Place Trying

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