The practice mirror is to be used for the correction of faults, not for a love affair, and the figure you watch should not become your dearest friend.
AGNES DE MILLEThe creative urge is the demon that will not accept anything second rate.
More Agnes de Mille Quotes
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This is the precise difference between dancing and acrobatics. The dancer tries to express something; the acrobat merely pulls, raises, stretches and grinds.
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Theater people are always pining and agonizing because they’re afraid that they’ll be forgotten. And in America they’re quite right. They will be.
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Who am I?, the artist asks. And he devotes his whole life to finding out.
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What they wanted was something newly experienced, and therefore unknown and hard to attain.
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When I dance I am really meditating rather then performing for an audience.
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In the same way the lifted leg of an arabesque becomes a wing, and not a mechanical leverage like a raised trap door.
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I had had to learn the difference between the bearable fatigue and the unbearable, the fatigue of fear. The first can be cured by a night’s sleep; the second kills.
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I learned three important things in college-to use a library, to memorize quickly and visually, to drop asleep at any time given a horizontal surface and fifteen minutes.
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We have the most varied and imaginative bathrooms in the world, we have kitchens with the most gimmicks, we have houses with every possible electrical gadget to save ourselves all kinds of trouble – all so that we can have leisure. Leisure, leisure, leisure!
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Find the passion. It takes great passion and great energy to do anything creative. I would go so far as to say you can’t do it without that passion.
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Destiny is made known silently.
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I think ought to have more and correct some of the matters fate fails to take care of.
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Living is a form of not being sure, not know what next or how… The artists never entirely knows.
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Emily Dickinson provided four or more alternates for every word; Beethoven wrestled with endings to the point of exhaustion; in our day Jerome Robbins and his lack of decision are a byword in the dance profession.
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So that we will miss nothing. Partly it’s greed, but mainly its curiosity. We just want to experience it. And we do.
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