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In the same way the lifted leg of an arabesque becomes a wing, and not a mechanical leverage like a raised trap door.

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Arabesque Door Leg Leverage Lifted Mechanical Raised Same Trap Way Wing

Bagwalas

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

They are just a lot of isolated individuals jiggling in a kind of self-hypnosis and dancing with others only to remind themselves that we are not completely alone in this world.
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Many other women have kicked higher, balanced longer, or turned faster. These are poor substitutes for passion.
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Dancers aren’t made of their technique, but their passion.
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When I dance I am really meditating rather then performing for an audience.
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I studied the way I danced- to the point of dropping.
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The universe lies before you on the floor, in the air, in the mysterious bodies of your dancers, in your mind.
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So that we will miss nothing. Partly it’s greed, but mainly its curiosity. We just want to experience it. And we do.
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What I could not learn was to think creatively on schedule.
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I learned three important things in college-to use a library, to memorize quickly and visually, to drop asleep at any time given a horizontal surface and fifteen minutes.
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The truest expression of a people is in its dances and its music. Bodies never lie.
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Toe dancing is a dandy attention getter, second only to screaming.
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great artists can be uncertain. Of course they are while strugggling to find solutions.
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No white man uses his feet the way an Indian does. He talks to the earth.
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I had had to learn the difference between the bearable fatigue and the unbearable, the fatigue of fear. The first can be cured by a night’s sleep; the second kills.
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A good education is usually harmful to a dancer. A good calf is better than a good head.
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Dancers don’t get invited to visit people. It is assumed a boy dancer will run off with the spoons and a girl with the head of the house.
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