I am completely absorbed by the music and the steps I choose to respond to the music.
AGNES DE MILLEI learned three important things in college-to use a library, to memorize quickly and visually, to drop asleep at any time given a horizontal surface and fifteen minutes.
More Agnes de Mille Quotes
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Emily Dickinson provided four or more alternates for every word; Beethoven wrestled with endings to the point of exhaustion; in our day Jerome Robbins and his lack of decision are a byword in the dance profession.
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Dancers don’t get invited to visit people. It is assumed a boy dancer will run off with the spoons and a girl with the head of the house.
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To make up a dance, I still need, as I needed then, a pot of tea, walking space, privacy and an idea.
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I had had to learn the difference between the bearable fatigue and the unbearable, the fatigue of fear. The first can be cured by a night’s sleep; the second kills.
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The creative urge is the demon that will not accept anything second rate.
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They are just a lot of isolated individuals jiggling in a kind of self-hypnosis and dancing with others only to remind themselves that we are not completely alone in this world.
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But all of these knew very well what they did not want, and what they did not want was the current coin, the well-worn usage.
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I think ought to have more and correct some of the matters fate fails to take care of.
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One of the good things about my having some recognition is that I can do something for the people
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The acrobat is lost in a web of muscles the dancer is all but invisible in projected idea.
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great artists can be uncertain. Of course they are while strugggling to find solutions.
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No trumpets sound when the important decisions of our life are made.
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But remember that intent is everything. One does not just jump, one lifts into the air, one rises.
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Dance in the body you have.
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Friends die one by one, but so, thank God, do enemies.
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From this voyage no one returns poor or weary.
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Living is a form of not being sure, not know what next or how… The artists never entirely knows.
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What have we got here in America that we believe we cannot live without?
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Who am I?, the artist asks. And he devotes his whole life to finding out.
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Ours is an upbeat, a hurried, hasty beat. It keeps pressing us to go farther, to include everything so that we can savor everything, so that we can know everything.
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We have the most varied and imaginative bathrooms in the world, we have kitchens with the most gimmicks, we have houses with every possible electrical gadget to save ourselves all kinds of trouble – all so that we can have leisure. Leisure, leisure, leisure!
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Toe dancing is a dandy attention getter, second only to screaming.
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Tolstoi’s scripts are almost indecipherable.
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We can’t stand silence, because silence induces thinking. And if we thought, we would have to face ourselves.
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My heroines are part of me and my heroes are part of what I’d like to know.
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This is the precise difference between dancing and acrobatics. The dancer tries to express something; the acrobat merely pulls, raises, stretches and grinds.
AGNES DE MILLE