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I studied the way I danced- to the point of dropping.

Related Topics

Danced Dropping Point Studied Study Way

Bagwalas

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

In the same way the lifted leg of an arabesque becomes a wing, and not a mechanical leverage like a raised trap door.
AGNES DE MILLE

Arabesque Door Leg Leverage Lifted Mechanical Raised Same Trap Way Wing
Who am I?, the artist asks. And he devotes his whole life to finding out.
AGNES DE MILLE

Artist Ask Dancing Devote Finding Life Out Whole
We can’t stand silence, because silence includes thinking. And if we thought, we would have to face ourselves.
AGNES DE MILLE

Face Include Ourselves Silence Stand Thinking Thought
Dancers aren’t made of their technique, but their passion.
AGNES DE MILLE

Dance Dancer Made Passion Technique
The truest expression of a people is in its dances and its music. Bodies never lie.
AGNES DE MILLE

Bodies Dance Die Expression Lying Muisc never People Truest Women
What I could not learn was to think creatively on schedule.
AGNES DE MILLE

Could Creativity Learn Schedule Think
The practice mirror is to be used for the correction of faults, not for a love affair, and the figure you watch should not become your dearest friend.
AGNES DE MILLE

Correction Dance Fault Mirror Practice Used
great artists can be uncertain. Of course they are while strugggling to find solutions.
AGNES DE MILLE

Artist Coin Decision Great Solution Struggling Uncertain
I am completely absorbed by the music and the steps I choose to respond to the music.
AGNES DE MILLE

Absorbed Choose Completely Music Respond Step
Toe dancing is a dandy attention getter, second only to screaming.
AGNES DE MILLE

Attention Dance Dancing Dantuy Toe
Living is a form of not being sure, not knowing what next or how. The moment you know how, you begin to die a little.
AGNES DE MILLE

Creativity Die Faith Knowing Life Little Living Moment Next
From this voyage no one returns poor or weary.
AGNES DE MILLE

Nom One Poor Return Voyage Weary
Tolstoi’s scripts are almost indecipherable.
AGNES DE MILLE

Almost Indecipherable Script Tolstoi
The artist never entirely knows. We guess. We may be wrong, but we take leap after leap in the dark.
AGNES DE MILLE

Artist Dark Entirely Guess Know Leap Take Wrong
I had had to learn the difference between the bearable fatigue and the unbearable, the fatigue of fear. The first can be cured by a night’s sleep; the second kills.
AGNES DE MILLE

Bearable Difference Fatigue Fear Night Sleep Unbearable
Ours is an upbeat, a hurried, hasty beat. It keeps pressing us to go farther, to include everything so that we can savor everything, so that we can know everything.
AGNES DE MILLE

Curiosity Farther Greed Hurried Keep Missing Our Pressing Upbeat

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